#and that's where my most out there characters live i'd say

[judesmoonbeauty]

My Thoughts & Spoilers On Jude's Route

This will contain detailed major route spoilers. If you do not want to be spoiled, please move on because I will not be filtering my review. Also, not all spoilers and details are being shared. This is intentional. Bear in mind this is written prior to my thoroughly translating his route, so the translation may have some adjustments to this information.

So, I really LOVED it!! It's a very good storyline. Am I biased? Yes. However, whether you're romantically interested in Jude or not, I feel like you'll like in route in general. I do highly recommend reading his and Ellis' Past Records before his route if you can. His route does bring up clips from PR, but it's very minimal and there's a lot of context and extra details in PR that you don't get in this MS. I did my best with this, but my thoughts are still every where, so if it doesn't make sense. My bad.

Tropes: Enemies to Lovers....of sorts?, Slow-burn. Key Side Villain Characters: Ellis, Nica, Victor New Side Characters For His Route: Theodore, Gilbert Murphy, Oswald Simmons Love Language: Physical Touch (I'd just like to say that I called this.) Who Falls in love first: Kate First Kiss: Kate Kisses Jude First Snu-Snu: Chapter 24 Both Premium ends Jude's Fate Tragic End: He will die bearing a grudge against/hating the world. Route CW: Violence, Smoking, CA, Neglect, Mentions of a child's death. Jude's Age: 28-30. Jude's Heritage: Irish-British Jude's Curse: 13th Fairy (An endless cycle of hatred) Jude's Fated End: To die with a hatred/resentment against the world.

Plot: In a nutshell, Kate is trying to find one good thing to like about Jude prior to her term of FTK (fairytale keeper) ending, as per their first promise made together. If she finds one, Jude must fulfill any one request she has. Amidst working for both Crown and Raven, Kate tries to come into her own in terms of standing as Jude's equal, seeing the world as he does, and essentially saving him from not only own his death wish, but from being framed for treason against their country.

My thoughts: Jude's route is very lively, it's got a healthy amount of funny moments, action packed moments, and it's quite wholesome overall. However, it still retains some darkness in the sense of his past, and the fact that he's literally on this tightrope of life and death.

Kate: She is not afraid of voicing her thoughts and feelings, or speaking sarcastically to Jude. I almost died when I read that she stuck her tongue out at him LOL. There's this scene where Ellis tells her she's thinking out loud when she doesn't realize it, so she apologizes. A few minutes later after she greets Theodore, she sees Jude behind him:

Kate: ....And thanks for your hard work too, Jude. Jude: Can ya please stop greet me so sourly? Makes me wanna vomit my mornin' tea. Kate: I wonder if I'm under a curse that'll kill me if I don't say something sarcastically...

So, she is very courageous and gutsy, but she also thinks things through. There are times where she wants to act because she loves Jude and wants to be there for him, but she also knows not to act rashly because her movements can hurt him and Crown, so she opts to bide her time instead.

Out of all of her versions, I think she is the one who gets the most frustrated, the most angry, and laughs the most at certain situations such as getting locked in the office with Jude. She is very optimistic and kind, but not saintly kind.

She is a fighter. She learns self-defense and how to use a gun, a lot this takes place off screen, but she does develop this over time. Which is nice because it's more realistic.

Jude & Kate Relationship: Starts off very rough, and I say it's an enemies to lovers trope, but no one actually hates the other person, they simply don't get a long and it has that vibe. Jude is trying to kick her out of Crown, and Kate is trying to find something she likes about him.

Overall, they bicker and banter a lot. It's cute because in MLE Kate says, "If I say one thing, he has 10 things to say", and in BLE Jude says, "If I say one thing, she's got 10 things to say." They're adorable together.

One scene I loved was when Jude is being attacked by a group of thugs in his office after closing hours, and Kate barges in with her gun. She yells at the men to stop what they're doing, and then she tells Jude to step away from them. And so, Jude and Kate are having this full blown conversation as they're surrounded by these thugs as to why she is at his office, who's fault it is, etc, etc. And when the head thug starts to complain, both Jude and Kate say, "Shut up!" at the same time. This seems like it actually becomes a thing for them, they say it in MLE as well.

Were they childhood friends? No. That was an AU thing only, and a clever misdirection from Cybird. I think key take aways from Dark IF and Prison IF are that they made promises to each other, and that Kate tries to return to little Jude in Prison IF. Additionally, it does hint that two children were involved in Jude's past, just the other wasn't Kate, it's his sister. While some may be disappointed by this, I loved that it turned out this way, it surprised me.

Love Language: Physical. Touch. Lemme say it again. Physical Touch. While their relationship is a slow burn, it's not without it's tension along the way, and the pay off is hella worth in my opinion. I just knew that Jude was going to tear into her, and he does.

But more importantly, Jude touches Kate a lot especially before missions. For example, in BLE just before Kate goes undercover at a criminal organization that is using Raven products, she and Jude are in his office reviewing the plans, and while he does this, he touches her bare skin, kiss or bite her, and then after the mission he'll make love to her. Why? Because Kate made another promise to Jude earlier in the route that she would never die before him, so he doesn't have to suffering loss ever again. So, prior to any missions, he'll touch her up to a certain point like a promise she won't die, and then finish once she returns safely. I can't...he's so damn precious.

They love each other very very much, but Jude doesn't like saying the words. "I love you." Not because he's a tsun, but because they're easily said. So, he'll convey his love to Kate with words like, "I'm taking you to hell with me." If you read his side stories, he'll tell you just how much he loves her, and he admits that there is no other woman in the world that he could ever love like her.

Important Side Characters: Theodore: 21 y/o and he works in the sales department at Raven. Every one calls him Theo, even Kate. It seems that he's worked for Jude for a long time as well. He's very personable, and chatty, and he gets nervous about things like when the president forgets his custom fountain pen as he's on his way to business meetings. He even says to Kate and Jude that Kate is his type, and everyone is like.....um what? I'm really happy that Theodore isn't a traitor. I like him. I thought Cybird would use him the way that contract worker in Jude's first story event would be used. But no, he's just a loyal young man who cares about his job. I hope to see him again.

Oswald Simmons: He is the doctor who treated Jude and his sister after Jude memorized an entire medical textbook in a week. After Jude's sister was sold off, Jude ran to Oswald and asked that if he put Jude through school, let him lodge with him and provide him food, then Jude would pay him back with interest. Oswald agrees and in time, Jude does pay him back with interest. Oswald treats everyone equally, and he finds Jude's intelligence and ability to memorize things amusing. While he does not offer to take Jude in of his own initiative, Oswald does have a soft spot for Jude, as he tries to gift Jude a new pocket watch upon graduation and the success of his new company. He even tries to dissuade Jude from seeking revenge that will only force Jude into be lonely. In the route, he tells Kate to relay a message to Jude, that if he ever gets into a pinch to comeback and he'll give Jude a run for his money. To this day, Oswald still has the watch that Jude refused to take.

I honestly, hope that they reunite one day. Jude doesn't wish Oswald any ill-will (though he calls him a weirdo), and he wished Oswald a long life when he said goodbye.

Gilbert Murphy: He is a high-ranking officer of the British military who colludes with the Privy Council and a criminal organization to frame Jude treason and building military weapons. However, Gilbert truly does think that Jude is going to the moon for monetary purposes. While he is being an asshole for framing my beloved, his motives are to protect the people from potential weapons that can be created with Jude's research. Still, it's sullying Jude's innocent and pure motives. Still, he testifies in Jude's favor and takes the blame of the dead privy council member, as his own form of justice for trying to frame Jude due to his becoming blinded by his obsession to protect his country.

The other villains: Ellis: Ellis is Jude's right hand so he is heavily involved with the plot, especially in MLE. We know about Ellis.

Nica: Darius asks him to investigate Jude, so he does. Twice, he offers information to Jude that he's gathered after he lets him know he's aware of what he's building.. The first time, he tells him that a part from the criminal organization Jude has already been dealing with, the British military want his plans too. And wouldn't it be something if they teamed up to get Jude's research. He asks if he can snatch the robin away from Jude, but Jude says she doesn't belong to him, and no matter whom she dated she belongs to herself.

Nica leaves the bar after getting scolded by Jude, but prior to that, he tells Jude that the robin is in the most danger because she's around him. A few chapters later, Nica appears again and tells Jude that his assumptions based on the previous information given have come true, and because he didn't let go (of Kate), he's letting her know the facts. After he explains the situation to her, he tries to whisk her away on a date, but Kate declines. While Nica is a "playboy", it seems that he does care for Kate's well-being.....I am letting my current knowledge of his past events, and bond stories influence me by saying this.

At any rate, at the end of BLE, Darius asks Nica why he follows his orders so complicitly, and Nica says it's because he's on the winning side, and to him, Darius will be or is the winner. Darius is satisfied with this, and when he leaves Nica looks at his palm and says that he will be the happiest someday. It's already been established that becoming the happiest person is important to him, but this has now been reinforced.

Victor: Lore crumbs are very little, but what we do know is that when Kate asks him if he is angry, he tells her that he's forgotten loneliness a long time ago.

Further, when he approaches Jude and asks if Jude is hiding something from him and Crown, he tells Jude he has the means to help him. Jude asks if Victor isn't the one hiding something, and remarks that's why Harrison hates him so much because he knows he is lying. Victor simply smiles and stays silent. Upon leaving his study, Victor does tell Jude no matter what, he doesn't want their freedom disturbed and those are his true feelings.

Further, Victor later tells Kate in the BLE that when Jude says he abuses his power, Jude wasn't lying about that. Later in chapter 24, all of Crown are gathered together in front of her Majesty the Queen for a very important meeting. Victor speaks saying that they wish to grant Kate the position of fairytale keeper permanently, and when Jude finds out, he leaves angrily. In the middle of all this, the Queen never utters a word.

I don't think we learn anything new that we weren't aware of before with Victor to be honest, unless I missed something while reading. But, it's nice to know that we should see something big for his route. We better for how under wraps his lore is kept.

Jude's age: He can't be any older than 30 because in his Past Records he definitively says that he is five years old. In the MS, Oswald states the events he recounted to Roger and Kate took place over 20 years ago. Kate reason's that if it was 20 years ago then Jude had to be under the age of 10. I think he's 28-30.

Jude's Curse: Jude's curse was born when his heart was completely broken, and he vowed to get revenge on those who made him and his sister suffer. It's manifestation was described as a black flame of hatred in his heart. Essentially, Jude has entered a vicious cycle of hatred that never really ceases. Jude fuels this cycle by acting in a way where people want to get revenge on him, and a part of that is because he want's to die.

Jude's Fated End: Jude is fated to die bearing a grudge/resentment/hatred against the world. Jude himself says that his death will not be an honest one. Some have made comments that his fated end is a bit underwhelming, but I am pleased that Cybird left Disney alone, and stuck with Grimm's ending for the 13th fairy. I love it because no one knows what the fairy was thinking or what happened to it, it just simply disappears. This is something that is mentioned quite a bit in Jude's route.

In the MS there is a beautiful chapter with all of Crown gathered for a fireworks beach day, and while Jude is looking at the fireworks, Kate is looking at him. She thinks he is like a firework, beautiful, dangerous if you get too close, and then simply gone.

In BLE, Kate watches a Sleeping Beauty play hosted by local town children where she is staying and even though she knows that the outcome of the fairy is unknown, she is hoping for a different outcome. When the kids stick to the fairytale, it's then she realizes that Jude too - while still stuck in his cycle of hatred - will die. He will never know happiness, and disappear like the burnt body of cigarette smoke, like a firework in the sky.

In chapter 18ish, while Jude is being held captive and being tortured by the British military for information on Crown, he laughs self-mockingly and says that this is the perfect fit for him to die bearing resentment/grudge against the world.

Is Kate Trying to find a way to break the curse? No. Unlike Alfons and Roger's route, Kate is willing to accept Jude's fate, stay by him, make him happy and be his reason to live. That is her sole purpose, to make sure he doesn't die. Kate is obsessed with keeping him anchored to the world no matter the cost, and she even mentions to Victor that even though no fated ends have ever been avoided, that doesn't necessarily mean they are tragic.

Is Jude happy by the end of the route: Yes. Though he won't admit it out loud being the tsun tsun that he is, Jude's first glimpse of happiness occured when he told Kate about his dream and she didn't laugh at him. By the time he puts her to sleep and leaves her behind, he tells her that being genuinely liked wasn't so bad. And of course, Ellis asks if he can kill Jude in his BLE epilogue because it's obvious that he's happy......Jude tells him he can go die, and Ellis is like okay okay. FR though E, I need you to calm TF down.

The depth of his love for her is so great that he tells her that if she ever tries to run from him, she should just kill him. The reason is because she is his only happiness - she is the moon that he's been trying to reach for so long. He'd have no reason to live if she left him.....

Hmmm, here are some of my favorite parts in his route:

He tries so hard to protect Kate, from throwing her out of a window when a house is on fire and telling her she died in that fire so she wouldn't have to return to Crown, to lying to her and accusing her of making a 10,000 £ mistake and firing her from Raven, and other things.

I love that he even assigned people to watch her secretly after he's left her behind in a seaside town, with the intention of doing so for a long time since she is known throughout London for said involvement with Jude. He says things like, if she can live a calm, normal life, then that's enough for me. So, he's resigned to love her from afar.

He does everything in his power to protect even Crown from getting involved with his research so they aren’t crushed and hated by the privy council or others, even undergoing brutal torture.

Jude promises to make Kate the happiest he can before they go to hell, and there are many, many more things he does to endear me even more to him. I nearly cried when he introduced Kate to his sister at her grave he had made for her, saying she (his unnamed sister), was the only family he had left.

Even though he knows his dream of going to the moon is going to be difficult, he is more determined than ever to achieve it, because he's got two promises to keep.

Ultimately, we have our teasing Jude and Kate kicking ass together, and loving each other until their ends come.

Ugh, I'm gonna make myself cry. Well, this is it in a nutshell. Sorry for rambling!

[untildawnss]

until dawn characters overhearing their partner saying something negative about them/their relationship

just a few short drabbles about the characters' weaknesses or worse traits and how they might react to hearing a partner talking about it. and wow, this actually took a while.

kind of angsty, but the endings of most of these are kind of open for interpretation

ashley

"i don't know, i just feel like we're stuck sometimes. we're not really doing anything. it's getting kind of boring."

ashley stopped dead in front of the door to your living room. she had wanted to spend a quiet evening at home with you, like you usually did on fridays but evidently you'd had other plans. and you obviously hadn't expected her to get home early. she flexed her hands, once, twice, and opened the door. the room went quiet, you and your friends looked at ashley. "babe, you're home." you smiled, not sure whether or not ashley had heard you. "sit down, i'm gonna get you a glass of wine." you patted the couch next to you. "no thanks. i think i'd rather go and be boring," ashley grabbed her laptop from the coffee table, "in the bedroom. alone."

beth

"seriously, her sister is over all the time. i know, i know they're twins and they're close and everything but i feel like aoutsider in my own relationship sometimes because she never says no to her family and i get the short end of the stick."

beth heard your voice drifting through the open window. you were on the patio, on the phone with your best friend while hanging out the laundry. beth was in your bedroom on the floor above, changing the sheets. are you fucking kidding me? beth sucked her teeth. she knew that you knew that she'd always been the most mature and stable of the washington siblings and that they were super close. "you know," she leaned out of the window. you looked up at her, startled. "you're my family, too. and i never say no to you." - "you heard that?" you groaned. "uh, yeah, me and like the entire neighbourhood. so what's wrong with me and hannah hanging out? it's only once a week." - "nothing, it'd just be nice to be included every once in a while." beth smiled widely at you. "aw, i didn't know you wanted to hang out with us. you should have told me."

chris

"he's always doing something on his phone, sending josh some stupid video or planning another dumbass prank with him. sometimes i think he stopped maturing past the age of 16."

you heard the front door close. apparently you had missed the jingling of chris' keys while you were busy looking for a salad bowl in the kitchen. "cool, didn't know you thought that way about me." chris dropped a plastic bag on your kitchen counter. "i brought dinner, got your favourite. thought i'd come over and we could hang out, maybe watch a movie or something. but it seems like you're busy." you had turned around to face him. "chris, i didn't mean it like that. i'm sorry." he was already on his way to the door. "no, you did." - "fine, maybe i did. but it doesn't mean that i don't love you. where are you going?" he was standing in the doorway, doing fingerguns at you. "josh's place. because i'm immature like that." the door closed and you pulled out your phone. can we talk about this? you walked back to the kitchen, the smell of your favourite food filling the room. thank you for dinner. - let's talk tomorrow, like adults?

emily

"emily wants this, emily wants that. emily gets what she wants, whenever she wants. it's all about her. i think she's her own favourite person in the world and everyone else are background characters for her enjoyment."

emily's phone pinged when she received the voice message. it was intended for your best friend but you had misclicked when opening the chat without realising it. she smiled when she saw your name on the screen and eagerly tapped on the little arrow to play the message. oh. the message wasn't for her. but you had thought of her alright. was she really that bad? her phone pinged again. don't listen to that. too late, she thought. i'm sorry, i didn't mean that. but you did, she knew. because she knew she was a bitch sometimes. because she knew that she had been selfish. no, you're right. she texted back. can i have a second chance?

hannah

"can you believe it? we had a fight and now she's packing her stuff to go sleep at her sister's place. she's blowing it out of proportion. talk about overreacting. everything is drama with her."

hannah had texted her siblings to come pick her up while she was throwing clothes and toiletries into a bag. whatever you were fighting about had escalated, both of you were to blame for that. but now you couldn't even wait until she was out of the house to talk shit about her? absolutely not. she knew she was sensitive but calling her dramatic was unfair. if she stayed, neither of you would sleep tonight. both of you needed to calm down. so naturally, hannah had called her twin sister and asked if she could stay with her for a few days. and naturally, beth had gotten in her car. the place was just too small for both of you to try to avoid each other after an argument. hannah was trying to give you space but sure, she was the one overreacting, not you in the living room, knowing full well that she could hear you. "you know what? if everything's drama with me, maybe i'll do you a favour and move out." hannah zipped up her bag and made her way to the front door. she heard a clatter as you dropped your phone. "what?" hannah was putting on her shoes now. "i said," she removed the butterfly keychain from her set of keys before putting them back. "i'm moving out. we're done." she walked out of the apartment and got into beth's car.

jess

"ugh, sometimes a part of me wants to shake her and ask her to just act like a normal human being. she's not perfect, so why does she pretend to be?"

last you checked jess was in the shower for her "self care day" ritual. that usually took a while, so you put in your earphones and called a friend while you were in the kitchen preparing dinner. you had jokingly complained that her long showers would drive up the water bill because she just had to keep up that image, that she was driving herself crazy competing with no one but her own ego. you hung up when you put the dish in the oven to clean up, maybe see if jess was done in the shower and have a pre-dinner glass of wine. you walked out of the kitchen and stepped right into a small puddle in the hall. ew, wet sock. "jess, can you leave the water in the shower next time?" you walked towards the bathroom and opened the door. jess was standing there in her underwear, a towel wrapped around her head and staring at her reflection. "hey. dinner's almost ready. you want a glass of wine?" she turned around to look at you. "do you think i'm vain?" her question took you by surprise. "what?" - "do you think i'm vain? i heard you talking about me and i want to know if you think i'm vain." she looked like she was about to cry. "jess, babe, no that wasn't what i meant. it's just- you try so hard all the time but you don't even need to. i love you just the way you are. you can be a little high maintenance, though." she sighed. "i know i'm not perfect-" - "you don't need to be." - "but can i still have that glass of wine?"

josh

"i feel like his caretaker sometimes. take your meds, take care of yourself, go to bed at a reasonable hour, don't drink too much, blah blah blah. i'm so over it. at one point he has to start living for himself and not just because everyone else bends over backwards for him."

you hung up the phone and turned up the TV's volume. when you went into the kitchen to get a drink, josh was there. "hey, when did you get home?" - "while ago," he shrugged. "why didn't you say anything?" you opened the fridge, looking for something you're in the mood for. water, or maybe some wine. "heard the TV, wasn't really in the mood for that." josh tapped his heel against the cupboard behind him. "okay. you want anything?" you pointed at the contents of the fridge. "wouldn't want to be a burden." he turned his head to look at you. "wouldn't want you bending over backwards to take care of me." he clenched his teeth. "yeah, i heard that, too." you let go of the fridge door and it closed slowly. "josh, i-" you started, trying to find something to say. "it's okay. i know i'm not always the easiest person to be around. but i'm trying, i'm getting better." you reached out to touch his hand but he pulled back. "i called chris. he's coming to pick me up." - "oh, okay. when are you coming back?" - "i don't think i should."

matt

"it's like matt doesn't even have any opinions of his own. he always just agrees with me. i don't think he has made a single decision in his life, ever."

it had been a week since matt had read your message. he had been using your laptop because he had forgotten his at home and your devices were connected. he hadn't planned on reading it but saw that it was about him. he hadn't even told his sisters or ashley about it and they were usually his go to people. maybe he was bad at making decisions. he hadn't decided how to handle this situation, anyway. yeah, you'd noticed that he had pulled away and asked him if something was wrong but he had made up an excuse about an assignment he had to turn in. he was still thinking about whether to ignore that he had seen the message or try to talk to you about it when you, once again, made a decision for him. his doorbell rang and when he opened the door, there you were, smiling at him. "hey, thought i'd come over. you're done with that assignment, right? can i come in?" maybe he'd finally make a decision. "actually, no. i don't think we should see each other anymore." your face dropped. "what? why? what happened?" - "guess i'm just making a decision for the first time in my life, ever. we're over."

mike

"he's such a fucking macho sometimes. i can literally not do anything without him swooping in and taking over because he thinks he's god's gift to humanity or something. right now he's putting up a shelf because he didn't think i could handle it. it's my place."

you were in your bedroom, sending a voice message to one of your friends. mike had finished putting up the shelf and was about to knock on your bedroom door to ask you if you wanted to grab something to eat when he realised you were talking about him. wow. guess you really needed to get that off your chest. he'd always thought he was just being helpful by offering to do stuff for you. was he really that overbearing? was he a macho? mike had always thought you were grateful when you accepted his help but maybe he'd misinterpreted the way you smiled at him earlier. it did look forced but he thought it was just the stress of moving. before he could move the door opened and you were face to face with him. "mike! were you eavesdropping?" - "not on purpose! but you were kind of yelling." he shrugged. "didn't realise you thought that i was such an ass. didn't realise i was being an ass." - "you're not an ass, just-" you started. "god's gift to humanity?" he said, pretending to fix an invisible halo. "i'm sorry, i promise i will stop swooping in and taking over and wait until you ask me for help. if you still want me."

sam

"we barely spend any time together. she's always doing something, hanging out with her friends, going climbing, running or swimming. are we even in a relationship anymore or just roommates? i don't even know where she is right now."

sam was right above you, watering the plants at the top of the stairs when you walked in. you were probably talking to a family member or a friend. about her. she wasn't sure if she should say something or not. she had continued watering the same plant while listening to your conversation and the water was overflowing now. it reached her feet and soaked through her sock. "crap." downstairs she heard you mutter a quick goodbye before you called through the house. "sam? are you home?" - "yeah, i'm here." she called back from the bathroom, looking for one of the ratty towels you used for spills. you had kicked off your shoes and were walking up the stairs. "don't move, i accidentally drowned gilbert." all the plants had names. sam emerged from the bathroom and threw the towel on the ground, swiping it around with her foot to wipe up the spill. "i didn't know you were home. did you, uh, hear me just now?" sam was staring at you. "yeah," she admitted. "i don't want us to be over. but i don't want to give up who i am, either." you nodded. "i know. compromise?" sam nodded back at you. "we can try."

[dasozelotvonnebenan]

I think that would be Grolg the vegetarian Ettin. I don't do much lore breaking so that's the extent of if. Even the reason he stopped eating meat is anchored in canon (he learned bunnies are made of meat, and we all know ettins like bunnies) so I really can't call it breaking the lore. At most I'm dangling my feet off the edge.

Some of the extra canonical bits about him are that I decided the main reason most ettin don't seem really intelligent is that due to having two heads with entirely separate persons inside they spend a huge amount of the cognitive capacity fighting over who gets to control the body. The really strong Ettin are those where either the heads work together or one of the heads isn't controling the body for whatever reason. In Grolgs case the other head (named Greg) had an unfavorable encounter with another Ettin's club.

Thus Grolg has almost free reign over their body, only having to supress frequent spasms which is the source of his speech impediment. Everytime Greg shoots out nonsense commands to their body Grolg has to think a lot more and that brain power has to come from somewhere. He knows people already assume he is not very intelligent based on being who he is and that the way he talks only further strengthens that but to him speech is not really an important function. Also helps him to sort who's worth getting to know and who to ignore based on how they talk to him. He can understand others just fine and has been known to throw people who keep mimicing his way of speaking through the lost precipice's tavern.

Of course a notable lore break is also the people he works for, considering the gentlemens gang's founding event included a dimensional portal to our world where charrlotte grabbed two books (League of extraordinary gentlemen and arsene lupin).

Other than that my other lore breaks are Valoop as a quaggan commander, though the rest of her commander career goes mostly normally, Aluen for keeping Bercilac's armor, Posh for joining Scarlet.

SHARE YOUR LORE-BREAKING GW2 CHARACTERS

We haven't done one of these in a while, and I miss em! Please, jump on here with a reblog and tell me all about your characters that break canon lore! Everyone, as usual, will get a response. Add pictures, ramble for paragraphs and paragraphs! Come play in this space with me and show off your cool-ass characters that stretch the limits of gw2's lore!

[thatneoncrisis]

i wrote a big long essay talking about tlt and how it engages with describing the skintones of brown characters its under a read more bc it is so long.

I already left a long comment about this on someone else post but I wish I could study tazmuirs odd little habit of dancing around the fact that Gideon and Harrow are women of color when she describes them, and how this kind of extends to other brown characters

We get a million descriptions for how sickly pale ianthe Silas and cytherea are, what a lovely golden tan corona has, the odd tannish yellow hue of colum, all imagined by her, in her own words, to be white. Then when it comes to Marta and Judith they're called dark like Once in the text. I don't think it's even mentioned for Jeannemary and magnus in the entirety of gtn though I will gladly stand corrected if I missed something. It's such a non factor for them, which normally I would overlook if it wasn't for the aforementioned specificity of how white characters are described on Top of one of the major themes of the book being how John, a Maori man, resurrected a largely Polynesian population and then proceed to rule them using the exact same methods that actively colonized new zealand. Like I just think it's really interesting that in many ways, the story is about two young Maori women completely stripped of cultural heritage, they can't even speak te reo maori they cannot even conceptualize the scale of that kind of loss. Theyve been to earth once and during her brief time there Gideon literally died on it's soil it feels so poignant

Back to them specifically being Not Pale, this is not me saying they would be "less" maori if they were light-skinned that's total bullshit and the entire paradigm exists as a product of European bullshit. My fascination is more with the fact that tamsyn has clearly thought of them as midtoned to dark skinned. I'm going to be really generous and disregard the Tommy Arnold covers- he is a talented artist but he's not the author and Taz stated in an interview that she didn't envision Gideon with an undercut either so he clearly has little liberties he can take and I'm fine with that get your coin dude. For these two I'm going to have to focus on Nona the Ninth, bc for the entirety of gtn, harrow is described as grey, and while I understand that's bc she's constantly under a mountain of white and black facepaint, we basically never get an objective description for either of them. Gideon stand out features are her build, hair and eyes, like a lot of characters, but it could have been pretty easy to throw in a line about how she seems less desaturated than what one might expect from a ninth cavalier, like a rich warm brown, possibly hinting to other characters that she isn't a ninth native

Htn also gives very little to work with, again harrows primary colors are the blacks whites and greys of facepaint and her hair and the reds of constantly sweating blood. The character who's darker skintone is Most remarked upon (also one of the few ever constantly headcanoned) as black, is g1deon. I've actually spoken to a few people about this and there seems to be some actual Mandela effect shit going on where people remember Taz saying he's black despite me never once finding evidence for this. However, this is not a case where I'd be overjoyed to be proven wrong, because g1deon being the one black guy in this entire cast, the one who's dark skintone is commented on the most, being the guy who barely speaks, tries killing harrow with a spear 14 times and then dies offscreen. Not good. Bad, actually

Finally onto ntn, in the beginning chapters Nona remarks her (harrows) skintone is the color of an egg carton. I assume she means the light tan, desaturated brown of the cardboard used in certain cartons, which is fitting for harrow, girls lived in an ice cave for 17 years. This is basically the only word we get on it. I believe a few times the text will say something about pyrrha's (g1deon's) brown Everything; brown skin, russet brown hair, rich brown eyes. that character gets to be viewed and constantly affirmed as a brown character in teh way gideon and harrow arent, it kind of others pyrrha. to contrast camillas hands are called tanned way at the beginning while recording nona's dream, then at the way end it says, "Her face still looked grey beneath its nice normal olive," olive being used to describe her once before in gtn as far as i can see. pyrrha's (g1deon's) skintone is one of her most notable features, its brought up to a noticeable agree the text wants you to keep it in your mind when you think of the saint of duty; "Most of Pyrrha was the colours of the building site: deep dried-out browns, dusty hunks of clay, rusted metal." "Pyrrha wouldn’t burn any colour other than her deep cool brown." "Nona took the water from Pyrrha’s brown, work-chapped hand and even sipped it" "Pyrrha had carried Camilla to bed in her big brown arms like Cam weighed nothing" "Pyrrha said, “Thanks, Nums,” and drained the whole thing. Nona,fascinated, watched the brown column of her throat move as she swallowed." its just notable to me when alternatively with nona you'll get a line like "Camilla didn’t say anything to that either, only rubbed her wrists where the tape had been. Nona’s skin was already back to its nice normal colour." like just the vagueness in nice normal color, we get one line about what shes supposed to look like in the beginning and thats it

towards the end during the broadcast, nona gets her first clear look at kiriona, described as: "warm-coloured skin that should have been a similar brown hue to Nona’s, except that there was something wrong with it." break out the champagne its official

Obviously, dying takes some color from you. If anything, gideons desaturation should make them More comparable given the egg carton comment and harrows general state of constant anemia. Has Nona gotten darker during her time on new rho? Was Gideon lighter than the cover led us to believe? We don't know. We well never know, which is odd, bc these books fucking love purple prose about people's appearances. We have like seven different synonyms for the shade of ianthes hair. New words for black have to be invented in order to convey harrows eyes which are Black, not the dark muddy brown of someone like ortus. It's less that I'm bothered by the text not hyperfocusing on their skin and more it picking and choosing when it will laser focus on a detail like that, and how often it's skipped over to the point that I like, constantly see people draw harrow as incredibly pale, which is very different from being light-skinned

Finally, I know people can dismiss this as like an audience interpretation thing. I know I actively draw harrow darker than Gideon which I know isn't canon. But this is less about Fandom response to the text and more the text itself and how it's like. Afraid to say brown. near the end of ntn i found One instance of it referring to gideons "slim brown hand" on nonas cheek and that is direct as it gets. even her other like, strongly non european traits are sort of danced around. her nose is "a nose that was the complete opposite of Nona’s nose, one that put her in mind of those big poison desert cats Born in the Morning was crazy about." a very fanciful description, you have to infer that nona means that its probably flat and wide, also giving us the information that harrows is most likely narrow and straight, possibly downturned. im not opposed to this, especially given the character talking about her is nona, but then you get the following paragraph:

"Her skin was very much dead-person skin, ashen and tinted the wrong colour around the nostrils and the mouth. But even if she hadn’t been dead, Nona was critical. Her eyelashes were very dark, but short and curly, whereas Nona thought all eyelashes should be long and straight (her own eyelashes were long and straight). The corpse had too much mouth and a dimple (nobody in her home had a dimple). You could not, at least, see the veins in her eyelids, which were heavy and cold and deep-set. But Nona thought it was going to be a shame to go from being so lovely as she was to being so—redheaded."

its a very frank description. dimple, curly lashes, red head, dead skin, probably a wide mouth. her nose is contrasted against nonas nose, which is also never directly described, and then compared to a fantasy animal we have never heard of until right now

kicks rocks. there isnt a point to this. the series is almost over, there is zero reason to like, knock on taz's door and ask why she did this or that. it doesnt stop me from loving the series, and the insinuation that noticing this means i must dislike the series is frankly insane (real thing that happened). if someone got the impression that harrow was white given how shes described i wouldnt blame them honestly, its most apparent she isnt in the third book (with the cover art being incredibly ambiguous) and a single blog post from taz mentioning shes maori, immediately followed by an "oh i dont care how you see the characters" addendum, which i think is like. an odd thing to tack on bc them descended from kiwis is like, very integral to the story, and gideon being the daughter of the maori man who took everything from her she didnt even know she could have and the (presumably, given her name and a very brief description) maori woman fighting to get that world back its like. damn. it feels a little important. that the audience knows theyre maori. like a little. it feels intertwined with the whole thing about john using european standards of imperialism and general aesthetics to hurt his own kid. actually.

[acid-ixx]

✮ — 𝐎𝐏𝐄𝐑𝐀𝐓𝐈𝐎𝐍 𝐃𝐎𝐌𝐈𝐍𝐈𝐎𝐍 : in which control is your only friend . . . (concept idea)

guys let me cook on this one but i suddenly want to post about an isekai trope au with modern! reader being transported into the world of dc comics. of course you're sentient, but sentience doesn't mean autonomy, because you're forced to don a new identity as a vigilante; guided by a malicious system only you can perceive.

a superhero, a new canon to the world, whose body is still adjusting to its given powers. you are not omnipotent, you are not a deity, and you most certainly could not adapt at such a timely rate; but you were once omniscient to the multiple plots and universes of the world you now live in. that is the only advantage you have amongst the unease you feel at the knowledge that eyes are now plastered all over your existence; a twisted game toying with you, with the price being your very life.

turns out, your existence is controlled by the very viewers (you guys, the commentors, the voters) who determine whichever fate you land on, a rule told by the system from when you were once transported into the world. whether it'd be mere yes or no answers to awkward questions, or even something as major as choosing to save others, or yourself in a life or death situation, and even as far as your love interests— only they can choose, and you'd be left to commit upon such acts, with or without your consent.

imagine, not only your presence is bared naked to the entire world, but every word you say are remembered, are criticized weekly. each and every action of yours that aren't determined by your cruel fans will gain both equal and opposite reactions.

your superhero name is chosen by whoever is the sick mastermind of this entire game. and you! for now, silly you would enjoy the momentary lapses of excitement meeting your favorite characters, but happiness in such a world does not exist. the longer you stay, where every week, your own destiny dictated by phone calls, comments, likes, reactions, and polls; the more you wish you never once set out to abide within the rules of this... game.

it is only your emotions, your thoughts that you can control, but never certain actions at major events. there is no such thing as discontinuity, or changing plotlines once you're able to catch a moment on what you truly wish to say.

as your story is published amongst thousands of people, it is up to your viewers, your deities, to decide whether or not you should live, die, or give you a chance to try to survive without them.

and it is up to you whether to fight back, or to allow their choices to destroy your very life.

either way, your tale is set to capture the hearts of many. and the only destiny nobody, not even your fanbase, nor you, could change, are the multiple set of characters within your world to eventually set their eyes on you.

and my, oh my, it is never once mentioned within these lines of texts that these characters are controlled by anybody, no?

*ੈ✩‧₊˚ are you interested to join your journey ?

♛ —⠀YES !⠀ yes, i'd love to see where this goes.

♚ —⠀NO !⠀⠀i'd rather not endanger myself, no thank you.

[wileycap]

So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.

So.

It's okay. B, maybe a C+.

That's it.

Now for the spoilers:

The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.

The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.

The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.

Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.

The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.

The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.

Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.

In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.

And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?

Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.

In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"

They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.

It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.

To sum it up: Netflix Avatar is a mile wide, but an inch deep.

[badbugbotblood]

WH- ME? And my tiny account? Getting tagged in something neat out of the blue? Well I'll be!

(pspspsps @king-candybug-backup)

As for my results:

A perfect 50/50 split between these two, which on the surface level does make sense.

Hey everyone!

I just made a Core Four-themed personality quiz!

@bashfulgnome

@thebluejetpack

@sadboytristan

@sgtcalhouns

@junkkey

@badbugbotblood

@speared-mint

@wreckitralphrestart

@wreck-it-hell

@ask-icancraft-it

@therockyroadster

@randomalistic

Reblog this post with your results!

[hellenhighwater]

What's your decision making process like for thrifting pieces? I've started looking at thrifting more earnestly, and at antiques in particular to add a bit more character to my otherwise midcentury-influenced space, but I always struggle with envisioning if a piece will "go" with everything else. But you seem like you've got the mixing and matching of pieces down pat, do I'd love to hear your thoughts!

I've gotten a bunch of asks in this vein so I'm going to go a little broader than this ask to cover the general topic.

On a purely practical level, you need to know what you have. I keep what I call a house journal, which is a notebook where I've drawn out room layouts, with measurements for available space, lists of what I'm looking for, dimensions for things like doorways (do not buy anything larger than your doorways) and even fabric and paint swatches. I also keep a digital photo album of house pictures, so if I'm trying to see if something will go, I don't have to rely entirely on memory.

So, important note: my background is not in interior design--it's in set design, studio art, and graphic design, so for me, I fall back on narrative. When you're designing interior spaces for theater or film, the room is not primarily functional: it is, first and foremost, an extension of the character that inhabits it. The room exists to tell you about the person in it.

And often, that's the tack I take in my house--not using my home as a framing device for myself, but for imagined characters. For example, my living room is The Adventurer, or the Archaeologist. The character for that room is someone from decent money in the late Victorian period, the sort of person who spent their live traveling for no particular reason, and brought home all manner of oddities. The room is rich in color and texture; the furniture is mostly late 1800s, and it's both formal and lived in. Choosing things for this room, I ask if that character would own that object. I also used unifying wood tones, and a similar depth of color, to tie things in. Pick a color palette and stick to it.

My drawing room is the Alchemist. There are lots of celestial elements, but it's a workroom, so most of the furniture is very practical and simply designed. It's beaten and worn in, showing marks of use. There is lots of storage, and curious little things in jars, and plants and bones and the tools of my trade. The Alchemist uses this space to make impossible things.

The question then is not "does this match" but "would the character that embodies this space choose this? Why? What does it say about them?"

And what all of that tells you about me, is, well....I don't know, really?

[i6eyes]

%% jean kirstein bf hcs !!

pt 2

contains: sfw and nsfw, implied fem!reader (no y/n), established relationship, soft jean teehee, jean’s horse cawk, nothing too graphic tbh

— who knew a fucking stallion will be the one who's going to bring me back from the dead .

sfw

omg omg he's soo tall right

definitely puts his arms around your shoulder, and kisses u on your temple or forehead too

the sweetest !! i feel like he would be so so attentive to u

oooh u did a double take at the dress u guys walked passed by earlier in the mall? woah it's suddenly in ur bed the next day !! :OO

he's a nice cook ! can cook but the best, his expertise are mostly breakfast foods but he can cook you lunch and dinner as long as he has a recipe

oh he'd be absolutely smitten !!!! i luv big scary men being total sweethearts to their s/o

if ur trying some shoes, he'd be the one to do all of the work ! he'd kneel down, take off your shoes, puts on what you chose on you, will be the who's going to take it off too, then will tie or buckle your shoes up for you

or or or, he'd be out alone and he passes by this little store filled with trinkets and stuff. safe to say, he walked out of the store with a silly little keychain he knew you'd like

^^ one of his love language is acts of service

he loves spending time with you. specially the moments where you two just chill and share some occasional kisses here and there

his favorite thing to do is have you lay on top of him while he's laying down and make you talk about your day !! he'd play with your hair and caress your nape and back while you do so :((

he's obviously attractive, but he doesn't know how much

there's so many simple things that he makes attractive

his attentiveness. you'd be in the grocery then he'd suddenly disappear for a while, only for him to come back with arms full of chips and snacks. "these are your favorites, right?" he said while dumping them in the cart, not even waiting for your answer.

oddly specific but the way he leans on every door way. you know the thing where people place their hands on top of a doorway? that, but he subconsciously does it everywhere. omg imagine he fetches you from your house for a date and the moment you open your door, boom! there's jean, towering you with a smile on his face.

he knows how to slow dance, like the ones in the movies where the main characters would suddenly dance in their living room, to which, he did with you!

slow dancing in the living room with jean :(

if you're still in school and he sees you struggling with a subject or school work, he'd help you as soon as he could, specially if it's something he already learned before. but! if that's not the case, he'd take his time to learn what you're having problems with and try to come up with an explanation to make you understand better

he's so lame (affectionate)

nsfw

oh boy

he's not the stallion for nothing

easily one of the biggest cock in the aot verse

usually, i'd be realistic when it comes to sizes, but jean is at 7-8 inches.

hhhhhhgggh, king of dick prints. he's naturally big even when soft, about 5 to 5.5 maybe. < he's a grower

he's such a big man, his proportions are perfect, of course he needs a big fucking cock to go along with it

he keeps his happy trail no matter what happens. he knows it's attractive and knows that you love seeing it on him

^^ up to you whether you want him to shave or trim, he's fine with anything as long as he keeps his happy trail

wide athletic shoulders that he puts your legs at while he's eating you out our splitting you open with his cock

this man's proportions are actually making me insane i don't know how to put my thoughts into words anymore

his hands are big, but not huge or ginormous. it's pretty and rough looking at the same time. his fingers are longer than most men's but are thick enough like the ones most are familiar with when thinking about a man's hand.

his nape is sensitive, simple touches like brushing his hair back will make him shiver. hickeys also show more easily on his neck, just suck on it lightly and there's already a blooming red mark left in its wake.

oh my god, touch his torso or the bottom of his stomach (ehem, close or at his happy trail) and he's gone. it's starting to become an actual problem because there would be completely innocent moments where you touch those places because you need to get pass by him and he'd just suddenly pop a boner on the spot.

*taps mic* soft dom

he absolutely loves praising you, it's an unconscious thing he does

you'd be on your knees, sucking in his cock on your mouth as much as you could, and he'd groan while keeping your hair out of your face using a hand while the other caresses your cheek, wiping away the tears that lay there.

^^ "there we go, knew you could do it.", "fuckin' natural at it.", "think you could take me a little deeper? uh huh? yeah that's my good girl."

im in shambles

he's SOOOOO good with his fingers my GOD.

he knows what it takes to make you cum with his fingers, he has an actual technique it's crazyyy. doesn't prioritize in making it fast or hard or whatever, whether you like it like that or slow, he will follow his own lead on what he thinks will make you feel spineless.

knows the fingers inside you, palm on your clit thing. has made you squirt using it on multiple occasions

while he adores missionary because he loves seeing your face and folding you in half with your legs beside your ears, doing it doggy will always make him carnal

he has a thing for your backkk. he'd grab the one side of your shoulder while he's hitting it from the back, sometimes he'd bruise your hips with his grip instead

will slap your ass. not really in a sub/dom dynamic. he just likes the way he sees his handprint on your ass while you're writhing beneath him

stroke game is unmatched !!!!!!!!!

he doesn't rely on his size alone, this bitch is actually prepared and knows his shit y'all

even if he doesn't or can't push all of him in, he'd work with what he's able to put inside you and god does he do it well

during missionary, expect him to put a pillow under your hips despite his size and knowledge. he want to make you feel the best at any given time

while he doesn't mind if you're a loud moaner or what, he LOVES hearing you whine.

if you're a whiner, boy is it a good time to be ALIVEEEEEE

he founds it so cute and hot <3

[ordinaryschmuck]

With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:

Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.

There's also this bit of official art surrounding Jax's pin:

Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.

And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.

Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:

Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.

No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.

Sound familiar?

Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.

They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.

Going back to the pin...

I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.

Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.

However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."

If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.

Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.

[deliciousangelfestival]

You're the One - 1

Summary: A daughter uncovers the wild, untold story of how her parents’ marriage began—and it’s way better than any romance movie she’s ever watched.

Character: Bucky Barnes x Female!Reader

Genre: Romance, Comedy

Words Count : 2,100

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 ,-

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

Having a cool dad like Bucky is a blessing. For Jade, it definitely is. Her friends, after meeting him, always say things like: “He’s so cool!” “He’s so funny!” or even, “Can we trade dads?”

Jade could only roll her eyes. Sure, Bucky’s pretty chill and easygoing about most things, but there’s one thing that drives her crazy.

It’s not a big deal for her, but for Bucky, it’s a huge one.

Romantic movies, especially where the bride runs away from the wedding.

That’s why their house only has action and mystery movies.

But tonight, Jade wants to watch one of her favorite genres at home. Why? Because their home theater is amazing, a special project Bucky built for his wife and daughter.

Unfortunately, her dad’s silly rules mean she can’t enjoy it.

But tonight is different. He’s heading out to pick up her mom from the airport.

Jade is sitting on the kitchen counter, waiting for her dad to leave.

In the hallway, Bucky stands in front of the mirror, fixing his hair and shirt while whistling a tune. Through the mirror, he notices Jade watching him.

“Don’t have a house party,” he says, pointing at her with mock sternness.

“Yes, yes,” Jade replies, hopping off the counter. She walks over, pushes him toward the garage, and tosses him the car keys. “Go pick up Mom.”

Bucky chuckles as he stumbles slightly. “Alright, alright. You’re awfully eager to get rid of me tonight.”

She smirks. “I just know how much you missed her. You two will probably go straight to dinner or something. Now, go!”

Bucky shakes his head, amused, and heads to the car. But as he opens the door, he suddenly stops.

“Wait… my wallet.”

He heads back inside.

“Jade?” he calls out. No response.

On the counter, his wallet sits neatly next to the fruit bowl. Grabbing it, he pauses. The house feels… too quiet.

“Jade!” he calls again, louder this time.

Still no answer. Frowning, he checks the living room and kitchen before heading upstairs. Knocking on her bedroom door, he’s met with silence.

“Did she sneak out?” he mutters. That didn’t seem like her.

Then it hits him. The home theater.

As he walks back downstairs, the faint smell of buttered popcorn wafts through the air. His suspicions confirmed, he pushes open the theater door.

“Jade!”

Startled, Jade nearly drops her popcorn but manages to save most of it. “Dad!”

She fumbles for the remote, pausing the movie and quickly turning off the screen. Her heart races—the scene on display had been the bride in a wedding dress.

Bucky strides forward, picks up the DVD case, and reads the summary. With a single glance, he knows exactly what it is.

“Jade, how many times have I told you? No romantic movies like this in my house.”

“But why?” she groans, flopping dramatically into her seat. “We have the best home theater! I just want to use it!”

Bucky crosses his arms, his expression stern. “Because they’re predictable. It’s always the same: someone’s crying, someone’s chasing, someone’s kissing. And the bride always runs away for some cliché reason.”

Jade huffs. “Why do you hate them so much? It’s not like Mom ever ran away from a wedding or something.”

The moment she says it, Bucky freezes.

Jade stares at him, her eyes widening. “Oh my God. Wait—she did, didn’t she?”

Bucky doesn’t answer. He turns and heads toward the door, but Jade jumps up, running after him.

She wraps her arms around his waist, trying to hold him back. “Dad! Is it true? Did Mom run away? How did you chase her? Why am I just finding out now?”

“I’m going to be late picking her up,” Bucky mutters, dragging himself forward with his daughter clinging to him like a koala.

Then, a notification chimes.

Both father and daughter glance at the phone on the counter.

The family group chat reads: “The flight’s delayed three hours. 😔”

Jade grabs the phone and shows him. “Look, Dad! Mom won’t be here for another five hours.”

Bucky sighs, rubbing the back of his neck.

“Please tell me!” Jade begs. “I promise I won’t watch the movie. This is way more interesting. Why did Mom run?”

Bucky turns to her with a serious expression. “She didn’t run away.”

“Huh?” Jade tilts her head, confused.

“She didn’t run away,” Bucky repeats. “I kidnapped her on her wedding day.”

The room goes silent.

Jade’s jaw drops as she points an accusing finger at him. “You… you stole Mom from someone else?! You're the bad guy!"

Bucky rolls his eyes and pushes her hand down. “If I hadn’t, she wouldn’t have had a happy life.”

He heads to the kitchen, grabs a cold bottle of water from the fridge, and takes a long drink.

Jade, now buzzing with excitement, follows him like a shadow. “Tell me! Tell me everything! How did that happen?”

Seeing her curiosity, Bucky sighs and gestures to the couch. “Fine. Sit down. I’m only telling this story once.”

Jade darts to the couch, grabs her popcorn, and settles in, eyes wide with anticipation.

Bucky clears his throat and leans back against the counter. “Alright. It was 15 years ago…”

💍🔔💍🔔

15 Years Ago

The changing room in the chapel buzzes with excitement. Your bridesmaids gather near the mirrors, giggling and chatting as they adjust their dresses and share jokes.

“Oh, did you see the flower arrangements?” one of them exclaims. “The Jordans really went all out!”

“They’re stunning. Just like this wedding,” another adds with a dreamy sigh.

Their energy fills the room, but you sit quietly in front of the mirror, staring at your reflection. The white wedding dress you’re wearing is nothing short of a masterpiece. Designed by a world-renowned fashion house, it fits you perfectly, every intricate detail exuding elegance. The lace, the pearls, the veil—it’s flawless.

But it doesn’t feel like yours.

“You’re so lucky,” one of the bridesmaids says, leaning toward you with a knowing smile. “Everything about this wedding is perfect. And Clark? He’s an absolute catch. You’re living a dream!”

You force a smile, your lips twitching just enough to look convincing. “Yeah… lucky,” you reply softly, though your voice lacks conviction.

In truth, you don’t feel lucky. You feel trapped. This wedding isn’t about love; it’s about business. The Jordans—one of the wealthiest families in the country—are securing an alliance with your family. It’s an arrangement, a deal sealed with vows.

It’s not that you dislike Clark. He’s kind, patient, and honest—a good man by anyone’s standards. The wedding is happening with your consent, after all.

Still, your heart feels heavy, uneasy. Marriage is forever. And with Clark? The problem is, you don’t love him. Not yet.

You hope, maybe after the wedding, the love will grow. Maybe with time, you’ll learn to love each other deeply. But right now, your heart is stuck in the past.

It doesn’t belong to Clark—it belongs to someone else.

Bucky.

The thought of his name makes your breath hitch. That wild man who once turned your world upside down. He was nothing like the calm, dependable Clark. Your parents couldn’t stand him, but you didn’t care. You chose him. For a while, you and Bucky were unshakable, inseparable—until life threw challenges your way, and the weight of it all broke you apart. He was the one who ended it, leaving you shattered.

Your gaze drifts to the window. You wonder where he is now. Is he happy? Did he achieve his dreams? Has he found someone else?

You shake your head and whisper to yourself, “Why am I even thinking about him?”

Pressing your palms to your cheeks, you try to push the thoughts away. It’s your wedding day. You should be focused on Clark, not your ex. You give yourself a light tap on the forehead. “Stop it,” you mutter.

But just as you’re about to take a deep breath, the door to the changing room bursts open with a loud bang.

Startled, you whip your head around, your eyes widening.

“Bucky?!”

There he is, standing in the doorway like he’s just stepped out of a different world. His leather jacket looks completely out of place among the pristine suits and elegant dresses. His dark jeans and worn boots carry the same rugged confidence you remember.

“What are you doing here?” you stammer, rising to your feet, your heart pounding so hard it feels like it might leap out of your chest.

He steps closer, a familiar smirk tugging at the corner of his lips. “Isn’t it obvious?” he says, his voice low and teasing. “I’m here to steal the bride.”

Your breath catches, and your mind races. “Huh?” is all you manage to get out.

Before you can process what’s happening, he closes the distance between you. In one swift motion, he grabs you and hoists you over his shoulder like a sack of potatoes.

“Bucky!” you shriek, pounding your fists against his back. “Put me down! Are you insane?!”

He chuckles, his grip firm as he carries you toward the door. “A little, yeah. But you’re not staying here.”

Your bridesmaids are frozen in shock, their mouths agape. One finally breaks the silence with a panicked, “Somebody stop him!”

But no one moves. Maybe it’s the sheer audacity of the moment, or maybe it’s the dangerous confidence in Bucky’s eyes. Either way, you find yourself being carried out of the room, your heart racing in a way that feels strangely familiar.

“Bucky!” you shout again, your voice laced with equal parts anger and panic. “You can’t do this!”

“Oh, I can,” he replies smoothly, “and I am.”

As he strides down the hallway, you struggle to free yourself, but his grip doesn’t falter. Despite the chaos, there’s a part of you—a small, buried part—that feels alive in a way it hasn’t in years.

And that terrifies you.

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[elucubrare]

What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?

this is really complicated - i can put it in two boxes, both of which are packed very full.

disconnection from the material reality of the past

when characters display a very specifically modern mindset (about social issues especially, but other stuff too)

(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)

there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.

my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.

Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.

[bokutosbabe]

It's Nice to Have a 'Friend'

( soft launching with the haikyuu boys )

a / n — these are fun to make so i thought i'd do one for my favorite boys. find the blue lock version here !!

content — haikyuu characters x gn! reader, takes place during timeskip, fluff, tried to make it as gn! as possible, but the photos have women, lmk if i missed anything!

synopsis — soft launching with the haikyuu boys <3

✿.｡. “ sun sinks down, no curfew, ” .｡.✿

has a great following for being 'aesthetic' even though they rarely try. most things they post have photos of things they've done in the week like pictures of their food or them working.

their followers are used to aesthetic photo dumps with 10 photos each that have no rhyme or reason to them, so when they get online and see a post from their favorite account with only 3 photos and the caption

" my love " with the song 'my love mine all mine' by mitski attached? there was immediate reactions, some trying to find out who this mystery person is while others seemed to be happy with just these little snippets of the relationship.

theyluvmeee: OMG?? anyone know who this is??

↳ anon2001: it's a soft launch for a reason. that's like- common sense i fear.

they don't think of themselves as a 'content creator', they just like posting their photos. however, they did like how much strangers on the internet would stand up for them and your relationship.

°❀⋆.ೃ࿔*:･ AKAASHI KEIJI, ennoshita chikara, ARAN OJIRO, daichi sawamura

has a decent amount of followers, mostly just people they'd known in high school and family, but there were a few hundred people who followed for the cute quotes that they would post before one of their chaotic photo dumps.

their usual feed was filled with the first picture being a quote that really made you think and then the craziest pictures. them face down in a puddle after a night out? yep it's there. pictures of them at a scenic dog park? also there

people began following them for the stark contrast that showed in every post they made, but when they posted something with no quote and it was a soft launch? their fans had immediately blown up the comments.

volleyballfreak: A SOFT LAUNCH? with who? omg.

and they had replied to almost every comment asking just who you were with...

' my lover <3 '

oh he was down bad.

°❀⋆.ೃ࿔*:･ YAMAGUCHI TADASHI, aone takanobu, SUGAWARA KOSHI, osamu miya, NISHINOYA YUU, kita shinsuke, TANAKA RYUNOSUKE

so so so sooo many followers (that came with being a professional volleyball player you supposed) many people who didn't even enjoy volleyball followed them because of the silly stuff they posted.

their fans watched their stories where they would post memes and such, something that many pros didn't do on the daily...because they had a reputation to upkeep. to be fair, all of their followers never knew them to be the brightest, so nothing they posted caused up a stir.

until they posted photos they took with, what was supposed to be, some mystery person with the caption ' a soft launch on MY minecraft server ? '

and it would have been an AMAZING soft launch...if they didn't tag your PERSONAL ACCOUNT on every. single. picture.

you weren't a pro volleyball player, you weren't an actor, you weren't even a manager, nope! you were just some normal person who lives an everyday normal life.

they had the spirit, just not the execution, but that's why their fans (and you) loved them <3

°❀⋆.ೃ࿔*:･BOKUTO KOTARO, atsumu miya, HINATA SHOYO, KANJI KOGANEGAWA

didn't get a chance to soft launch you before the paparazzi put out the tabloids of the both of you. the titles always saying something like "STAR VOLLEYBALL PLAYER WITH MYSTERY LOVER??"

the article was posted ten times over on every single social media platform there was, with many people with many different reactions replying to it

MSBYmomma: ur joking. he's literally mine

goofgoob: thank god one person on this team is in a loyal relationship.

the two of you hadn't even gotten the chance to open your own social medias before hundreds of texts invaded both of your phones. only from the people who knew of your relationship and were worried about the both of you.

so what did they do? reposted the photo on their story with two simple emojis...

"👍❤️"

°❀⋆.ೃ࿔*:･ USHIJIMA WAKATOSHI, kageyama tobio, OIKAWA TORU, sakusa kiyoomi

✿.｡. “ twenty questions, we tell the truth. ” .｡.✿

i love soft launches and haikyuu <3

likes, comments, and reblogs are appreciated!

[dunmeshistash]

G'day, I hope you are doing well.

Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.

However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.

It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.

With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.

Other than that, I wish you an excellent day.

Hello!!! I love Falin!!!!!

She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.

In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.

This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones

She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)

I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.

I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)

I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.

Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.

Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.

I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!

[dceasesd]

why juni ba’s the boy wonder has my favorite jason characterization of any contemporary comic run: a needlessly in-depth analysis (pt.3)

go check out part 1 and part 2 if you'd like! this is a long one, sorry guys.

if you haven't already i'd recommend you check out pt. 1 & pt. 2 (linked above), but if you haven't checked them out i've been going over some of the main things people have been criticizing ba's characterization for: 1. the typical boiling down of jason's character to "the angry one" 2. his lack of strategy going into the fight with the demon is out-of-character 3. the neighbor's kid interaction

alright, so this last point is purely based off of one page of the entire comic: the one where the child of one of jason's neighbors is dragged inside his home when his mother see's jason coming.

first off, i love this page. it might be my favorite page in the entire issue. everything about it is great. just thought i needed to say that.

anyway, there's some people who are seeing this page and reading it as "jason protects kids! that's one of his big things! why are they scared of him?"

here's the thing, though: the kid isn't scared of jason, the mom is. the kid is literally playing dress up as the red hood-- he's not scared of jason, if anything he's trying to replicate him. little kids dress up as their heroes all the time; why is this kid any different? it doesn't really make sense for the kid to dress up of something he's scared of (not everyone is as weird bruce wayne), especially a real person that could be a real threat rather than a concept. i doubt you see many kids in gotham dressing up as the joker or something, because that's just asking for trouble.

the dress-up honestly seems like a ploy for attention to me. the kid clearly knows that red hood lives in his building (which is honestly so funny. take off the mask jason you're giving you're position away (actually this is a really good instance for analysis but i'm determined to not go on a tangent)). if the kid knows red hood lives in his building, what better way to get his attention that dressing up as him and playing pretend? if the kid was scared of him, he wouldn't want to draw that sort of attention to himself. if he had a sort of hero-worshippy thing going on like i suspect, then he would want to get jason's attention. to sum it up,

it's the mom who pulls him away when jason nears, because she either a) perceives him as a threat, b) doesn't want her kid to try and replicate him even more, or, the most likely option, both! the kid isn't scared of him, but the mother believes they should be.

once again, we come back to the whole perception vs. reality theme i talked about in part one! we've come full circle, everyone!

when looking at the neighborhood's perspective of the red hood, ba gives us a few contradictory examples. there's the kid and the mother, obviously, but there's also a slew of other citizens who interact with him at the beginning of the issue, both in fear and camaraderie.

the unhoused man and the people outside of his building clearly have a familiarity and are comfortable with him, while the shopkeeper is terrified and literally has a banned poster on his wall featuring jason (i am so curious what he did to deserve that, if he even did anything at all). from this, it appears that jason's reputation teeters between fearful and familiar-- a sentiment that also colors jason's relationship with his family.

furthermore, this concept underscores just how lonely jason is-- one of the only good relationships he had in his current life was his fucking landlord, for gods sake, and he's dead.

i think it's important to note that jason doesn't respond to the friendly greetings from the men-- he could attempt to build camaraderie, the roots are there, but he chooses not to. he could work to try and show the mother that her son is safe with him, but he chooses not to. why? jason is obviously lonely (as ba states in the panel below) and he caves pretty easily when damian asks him for help (both of them are so desperate for human interaction its tragic). so why does he distant himself from the community?

obviously it is in part due to the vigilante lifestyle, but it is also jason's perception of himself and how he believes others perceive him, especially in regards to his family (ba is literally hitting readers in the head with that theme baseball bat).

he doesn't see that the kid with the mask looks up to him, all he sees is the mother pulling him away. he sees the banned poster in the store. and, as ba narrates, "he was sure he'd been forgotten about" by his family. utrh is jason's twisted way of attempting to reach out and connect with bruce, and obviously that doesn't work-- so he chooses loneliness over rejection.

like in part one, though, damian refutes this idea by describing bruce's perspective, showing how what jason believes differs from actuality. bruce hasn't forgotten about him and doesn't hate him, as he suspected, but instead harbors guilt over the situation and desires to make it better, which jason must come to understand to be able to open the locked door and begin to move past his trauma.

so, that's what the little kid in the red hood outfit looks like to me. i actually have a lot more i'd like to say about the boy wonder, especially in regards to the whole "door to my past life" thing and what ba does with lighting and blocking in his artwork, so i may do a little post on that as well! i was gonna try and shove it into this one, but i've run out of room! i hope you guys liked my analysis, if you'd like to chat about the boy wonder or any other comics, my dms, asks, and reblogs are happily open! thanks for reading! :)) <3

pt. 1 / pt. 2

[controld3vil]

atreides and bene gesserit

pairing(s): dune 2 cast x actor!reader (platonic), austin butler x actor!reader

synopsis: requested by this ask!

⤷ alt: as clueless as you were about your sister's role, it brought you much surprise and joy to see her on the same carpet as you.

notes: reader uses fem pronouns as she's playing a role as a bene gesserit. reader is also described as wearing a sleeveless jumpsuit. and i really enjoyed lea seydoux's performance and hope to see more of it !! this is also COMPLETELY separate from the first two posts ive made since the readers r playing different characters yeah?

When Denise Villeneuve asked you about the role of Lady Margot Fenring, you were genuinely shocked about his decision. You appreciated his works but have never gotten close to any of his sets before. You have worked with directors who've admired Villeneuve for his imaginative mind. And now, you witnessed his creativity in person for the first time.

The role was small and not as significant as the other main leads. Regardless, your character was just as enigmatic and complex as any other in the Dune franchise. Even though your time was short, it was a fun experience to learn and observe from. You weren't able to meet the entire cast after production, but with the NYC premiere, you were able to link up again.

You heard your name being called out. "Hello! How are you?" The well-known comedian and presenter by the name of Amelia Dimonberg was now beside you. In her jet-black corset dress, her style is chic and elegant. She hands you a microphone with the film's title plastered on it. "You look beautiful!"

"Thank you!" you sweetly recuperate, diverting your shoulders to the sight, cutely. You give a little pose before complimenting her own outfit. "You as well!"

"Do you have a memorable day on set that sticks out to you?" Amelia questions, subtly leaning toward your direction. And now you noticed her detailed eye makeup which enhances her outfit altogether.

"Well- I've had, like, only a few days," You let out a quick sigh. Truly it was nothing to be embarrassed about but you could not help but feel shy about it.

"Mmhmm! So all of them?"

"Yeah, all of them!" With ease, your shyness turns into giddy laughter as all you remember from your times on set. Recalling those tiny moments brought a small smile to your face. "Every day counted for me and that was enough."

"Oh absolutely!" Amelia chides, nodding in agreement. She quickly then moves onto the next question, "How long do you think you could last in the actual desert?"

"Oo that's a tough question," Lifting your fingers to rest on your chin as you try to contemplate an answer. "Ideally no- I feel like I could never recover from the heat."

"Yes yes, the heat's very intense,"

"Yeah- no I don't think I'd ever leave my house for that-" You shake your head nonchalantly, acknowledging how most of your scenes already were indoors. You could imagine how you would do in the desert of Abu Dhabi. It makes you appreciate the cast and crew even more for their effort to make filming more comforting and tolerable.

"Where would be your dream location to hang out? I'm assuming your home then since you prefer to say inside?" The blonde interviewer quickly catches on, eyebrows raising intrigued by your response.

Instead, you hummed bashfully, "Actually I think an oasis would be nice." The camera catches onto Amelia's face, fully fixated on you. "Which fits perfectly if I were to live in the desert actually!"

"Mm yeah, smart choice!" She responds more cheerily. "You can maybe go for a swim, you know-"

"Right right," You give her an playful look, "And you don't have to go thirsty!"'

"Absolutely, the best of both worlds," Amelia chirps, doing the same expression. "So this film centers a lot around dreams. Do you have vivid dreams of yourself?"

"Yes! I've uh- I've had many dreams of myself. I mean, this one, for example-" You turn to the camera, waving with the most adorable smile on your face. "'I'm living my dream right now!"

"You're living your dream right now!"

In another section of the premiere, you were walking down the carpet for press interviews and photography. The set where the premiere was taking place was gorgeously made in the shades of black and orange, the perfect theme of the film. The entire venue was outdoors, allowing you to feel the cold air and be more at ease in the crowded space. There were more paparazzi than you had expected, and you suddenly became aware that you were alone. Without any friend or acquaintance to accompany by, you searched aimlessly for a familiar face.

Then there was a holler. And then multiple more came after, it made you confused really. Your head swerves to the sound of the person you so try to look for and immediately you're struck in awe.

"Anya?!" In an instant, you're seen running towards your sister in the far back of the premiere wall. People were reluctantly used to fast-paced relocations around the carpet. Therefore most did not mind your hasty stumbles through the crowd. It was almost comical how apparent your demeanor changed when you heard her, in fact, videos and pictures caught all of it.

"Hi!" She beams in her white dress robe. Her makeup was glowing, making her skin seem angelic, and sheer without impurities. Her outfit covers her like a nun, covering her head and body in almost transparent cloth. Yet it flows around her so elegantly, almost like she was an angel from the stars. She squeezes your figure firmly, only after releasing to gush about your appearance.

You adored a beige sleeveless jumpsuit. The color is complimented with tiny designs of sparkle. Its seams captured your figure perfectly, as you also wore a gold chain and bulky rings. From the lighting, it looks as though your outfit is shining. And to be completely honest, you prefer comfort over the judging looks of fashion critics. Therefore you wanted to wear something that you could still move comfortably in. Thus you were able to run over to your sister with ease.

Through the other lens and camera, they could pick up some of her words after. "You look so gorgeous! How are you here?!" Anya's expression changes into a perplexed one as she gets a hold of your shoulders, shaking them back and forth.

"I was invited obviously, "You said, mimicking her voice while holding onto her arms on yours. "You didn't tell me you were a part of Dune!" Viewers from afar could tell you were pushing an act, reacting as though you were petrified about how Anya managed to be here in the first place.

"I didn't know you were either!" She giggled, closing in on your right ear. Your sister whispers to you slowly, trying to withdraw from the camera and recordings. "Villeneuve had mentioned something but honestly I just thought it was a joke."

It was your turn to guff. Your mouth opens wide flabbergasted, looking sarcastically offended. "Why would you think he's joking?!"

Anya scoffs lightly, wanting to go further with the joke. "I don't know- I just didn't take his word seriously,"

"Why? Because you didn't think I'd make it into the film?" You accused, eyes widening with a hand over your heart. "You're so cruel."

"So cruel," She smirks up at you, then moves back to be by your side. You see her face forward the flashing cameras, as you do the same. "Come! Let's take some pictures!"

"Your outfit looks beautiful by the way!" Anya Taylor muses, eyeing down at the fine details on your jumpsuit. "It's very... you!"

You give her a nod, before flattening some of the creases, "I thought this color was so exquisite, so I thought it would be perfect for the premiere." You lift your head to look at your sister, before realizing behind her, the upcoming stars of the film were getting ready to take cast photos. "Oh Anya- I think you should go!"

Your sister turns and then gazes back at you with a soft smile. "You should come with me!"

The thunder of cameramen and journalist blurred your focus for a moment. "Are you sure-"

Again the sound of your name is hurdled but this time from someone you haven't seen in a long time. Jessica Ferguson, who too wears a black body suit with veils and bold makeup. She waves her hand almost too eagerly to have you come closer alongside your sister. "Come, join us!"

Videos were filmed of the people gesturing to the cast of Dune in a line. Little by little, the row of people is filled and organized to be in the center of the camera's focus. Some actors had to move spots, due to lack of space or better color semblance on the other side of the row. You stood next to Jessica and Florence Pugh was beside your right, as you tried to stand closer for the picture.

Anya Taylor was on the opposite side, with Austin Butler and beside him, Timothee Chalamet. A noticeable clip taken all over was when the French actor went to greet the English actress, warmly, clasping her hand with both hands as a proper salute as on-screen siblings.

You did not mind the lack of attention. You were happy for Anya for achieving a great role. One with a welcoming cast and crew. It was then your eyes scanned down the row, from Zendaya to Stellan Skarsgard. Then to Austin, whom you've been familiar with since day one. Only him to find your gaze seconds later. You give a little nod and smile before averting your direction to Anya who is already staring at you with gleaming eyes.

You were going back and forth with Jessica and Florence on your travels for a while. From plans reception to favorite desserts, all you three wanted to talk about was food. Paparazzi caught onto your banter quickly and snapped a few photos. You even went out of your way to do silly poses. Followed by Jessica and Florence, then did the same, sticking their tongues out in a rock star kind of fashion. You throw out piece signs, giving a dramatic frown as another flash happens.

Catch-ups were definitely refreshing and fun. Thus why you nearly jump when Austin appeared behind you.

"Oh my gosh, hey!" You stuttered, giving him a quick hug to calm your nerves. "You scared me!"

"Sorry sorry! I just wanted to surprise you!" He leans his head slightly, allowing better eye contact. You felt a few taps on your shoulder and noticed Jessica and Florence scurrying away, with their thumbs up, all goofy and excited.

Your eyes make it back to his. "I would've said hi back at the cast photo, but you were so far away," Shrugging you dismiss your failure as a mild missed opportunity.

But Austin shakes his head in an averted manner. "No- Don't worry about it." You could already sense interviewers and others with microphones closing on you two. You were out in the open, and it's bound to happen. "I wanted to- you know, say hi to you in a less chaotic place."

"I tried looking for you but there's just so many people," You give your costar an exhausted look. It was then a keen young man approached the pair of you. It was the People magazine, as you became aware of the logo alongside their camera and microphone.

"Hey, would you two mind a short interview for People's magazine?"

Truly, this was what premieres were about. The cast and crew meet with fans to show what they have worked so hard for. You brought you no better satisfaction than to praise everyone's efforts. The interviewer then proceeded to have a quick introduction of you and Austin beside you. You both had separate microphones in each hand. Once the video started rolling, you peered at the camera and gave the audience a grin.

"So how are you guys doing? Met all of your lovely cast members yet?"

"Oh absolutely," You emphasized every syllable, nodding. Austin only glances at you in amusement. "It's crazy how many people are here I was so overwhelmed!"

"Yeah, it was pretty crowded," The male actor adds, lowering his microphone slightly.

"Hopefully it will die down!" The interviewer beams. "So what was it like getting to know each other in this film? How was the first day on set like?"

"Oh, well it went very smoothly," You start, staring up at Austin in approval. "Even though my time was short on set, I feel like we had a pretty good rhythm starting out."

"I was about to say! The scenes with Feyd and Lady Margot were really something!"

"Why thank you, we appreciate it," Austin nervously laughs, scratching his ear.

The interviewer takes the lead to discuss your preparation for the role and how it was working with Villeneuve. As new characters, you and Austin both talked about your views on both of your characters. Both are very different yet mysterious to the viewers. Additionally, you two were introduced in a similar scene of the pit fight. The People's Magazine interviewer was compelled to compliment Austin on his opening scene. You knew he had practiced the choreographed fights vigorously. And of which you were lucky to witness on the days that you were present.

"It was completely freeing and different than what I was used to doing," Austin probes, leaning toward your direction. "Were you there for the pit fight?"

"I think I was," You turn, similarly. "I remember watching from afar and thinking wow." Immediately you could sense him eagerly looking down at you with a sly smile. "He was- Austin did amazing with the fight choreography, I was impressed!"

"Was this the first time seeing him in full costume too?"

"Oh yes!" You bonked your hand on your forehead, "He was and I just- couldn't believe it was him!"

Suddenly Austin jumps in, "She was startled when I first came up to her in full costume."

"You came out of nowhere, by the way!" You rebutted, giving him a side glance.

"I didn't mean to," As he tries to reassure his actions, "I wanted to give a good first impression!" It was humorous how playful you two were together despite having dissimilar filming schedules. Though most of your scenes involved Butler, your friendship only became more apparent weeks after working together. It was off and on for months at a time due to being busy in other countries simultaneously.

Eventually, you were able to link up again weeks before the premiere. After waiting a long time to meet up, you almost felt relieved that you hadn't seen your costar in a while.

"And Austin, how was filming with her?! From a character's standpoint, what kind of dynamic do you see playing out?" The People's Magazine interviewer perks up, having the camera transition from his face to Austin's.

"Well I'd say, she's great. You know I've got to meet a lot of amazing people in this film. And," He says your name sincerely, "She's- she's one of those people. I can't say much for Lady Margot and Feyd's relationship- you know there's a lot of that's still not uncovered. We don't really know what's happening but kind of have an idea of something. And to have such a great actress like her, it makes everything feel authentic and- feel the tension." It felt as if you were in a daze, eyes completely focused on his words with such admiration and grace. Before you knew it, you were smiling as if you had won the best possible prize in the world. His compliments to you meant more than you had anticipated really.

Unbeknownst to you, the cameraman had caught your lovestruck expression before directing attention back to the interviewer. "And how about you, Miss Margot?"

"I'd say it's the same," Now looking at the interviewer, only momentarily back at your costar. "Austin's- he's great at all the stunts and acting like a scary dude. Every scene with him was fun to do. Like he's all serious in character but once they yell cut! he's so nice and funny!" Your bubbly laugh breaks as you can feel your face growing hot.

"Well I appreciate you liking my humor," Austin pokes fun at you, fanning a little air towards you.

You mutter a soft thank you! before continuing, "And he's dedicated you know? I remember one scene, a little spoiler, where Feyd is about to be tested by Lady Margot, and I just couldn't do it! I couldn't keep a straight face!"

"Really?!"

"She just kept breaking, I don't know why," The actor shrugs, his attention closely drawn to you. "We had a few takes on a few days."

"We did! We did!" You gave a big frown, "You just have a really distracting face."

"Do I?" Austin asks, between the lines of teasing and coolly.

By the time, other premieres had occurred, people were still focused on your interactions with Austin Butler. Your chemistry on and off screen on the carpet was hilarious. And with how polarizing your characters were, it made many clips of your shared encounters gain attention.

A few short videos were recorded after the People Magazine interview of you and Austin, bashfully talking behind the stage. The two of you went back and forth whispering in each other's ears about what was unknown to the viewer. Through a bird's eye view, the video also catches you hugging your arms before zooming in on Austin's placing an arm around your figure.

Another clip that had been reposted many times was when you both took duo pictures together. As you comfortably shift your weight on one leg, as you turn to have your side face the flashing paparazzi. Whilst the Elvis actor stands beside you at a pleasant distance, doing the same pose to the other side. There was one instance where you lifted your head to make eye contact with your eyes instantly brightening. As Austin's smile widened, only to blow air in your face.