#and that's where my most out there characters live i'd say
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WARNING FOR GOOD OMENS SPOILERS!!!!
FURTHER SLIGHT SPOILER WARNING FOR THE FOLLOWING BOOKS: The Bone Clock by David Mitchell, You Only Call When You're In Trouble by Stephen Mcauley, and Bibliomaniac by Robin Ince.
So I'm sure a lot of the fandom have seen the pictures posted by a very lucky fan who saw the production of good omens happening out in Scotland today!!
However what I'm not seeing people talk about is a hidden gem in the reblogs.
SOMEONE HAD MANAGED TO GET A PICTURE OF THE BOOKS IN THE WINDOW!!!
Naturally, I had to go and do my research to see if these books give us any clues or serve any other purposes other than decorative purposes
AND LET ME TELL YOU
These are the the books visible in the window:
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I'll go through them one by one
(Please bear in mind, I haven't read any of these books personally!! The only information I have on them are the little bits I found online in a very rushed attempt at research!!!)
Okay firstly
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"The Bone Clocks" by David Mitchell
Now, this is the one that I struggled to make sense of the most out of the three.
The story appears to follow a runaway teenage girl who is a "lightning rod for psychic phenomena." These visions are said to reorder reality and send her into a real life nightmare.
However,
It also states that there is a boy who eventually crosses paths with her and who's story "comes together in moments of grace and extraordinary wonder"
As I said, I've never read these books and the only link I could begin to make with this is the idea of a "supernatural being meets another supernatural being and what they can do when they're together defies anyone's wildest dreams" story, similar to what we have seen and could see in GO3.
The next book is where it gets FARRRR more interesting (in my opinion)
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NOW
THE TITLE? INTERESTING ASF.
IS AZIRAPHALE IN TROUBLE? OR EVEN CROWLEY?
The quotes are literally taken from the amazon listing itself, but I'll just point out the bits that stuck out to me personally.
☆ "is it ever okay to stop caring for others and start living for yourself?"
And I'm skipping a HUUUUGE chunk of the story here so apologies
☆ "Tom does what he's always done - answers the call."
☆ "Thus begins a journey that will change everyone's life and demonstrate the beauty or dysfunction (or both?) of the ties that bind families together and sometimes strangle them."
THAT LAST QUOTE REALLY STICKS OUT TO ME. Personally, I'd say that could possibly relate to the heaven and hell divides?
But furthermore, we were told prior to the whole NG situation that Aziraphale and Crowley aren't talking.. so could that mean that as soon as they begin speaking once again, they have the power to leave heaven and hell behind? Perhaps stop the divides?
And last, but certainly not least
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Now, keep in mind that this particular book is nonfiction and appears to be written from the authors own point of view as he aims to visit 100 bookshops in 100 days.
This has a relatively short description from what I can see right now so I'll put it in here
"Bibliomaniac takes the reader on a journey across Britain as Robin explores his lifelong love of bookshops and books - and also tries to find out just why he can never have enough of them.
It is the story of an addiction and a romance, and also of an occasional points failure."
This one interested me SO much because it SCREAMS Aziraphale character development sort of thing? You know?
I really struggled to find any spoilers for this one whatsoever but one website did mention the author's love for vintage books, which he only ever reads as and when, as opposed to focusing on just one book.
I just thought this was SO SO SOOOOO interesting, and if anybody has any differing thoughts/interpretations or has even read the books, the comment section is a safe space to do so!!! All theories/suggestions are welcomed (any hate WILL be blocked, don't test me).
OR MAYBE THIS ALL MEANS NOTHING AND IM JUST CLOWNING FAR TOO HARD?!??!??!
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cookinguptales · 2 months ago
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I'm planning on drinking boozy hot chocolate and bingeing s6 of wwdits tonight once the sun goes down. I probably won't put most of my liveblogging in the main tags (they probably don't need the additional spam rn) but I'll probably use my usual "nandermo tag"/"wwdits tag" combo if you want to block it.
in that weird place where I didn't particularly enjoy a lot of s5 but I still have mild hopes for s6 and I do feel a compulsion to watch the (apparently very complicated) ending live tomorrow. for old time's sake.
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imminent-danger-came · 2 months ago
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I really am so sad I don't like isat. The themeing was very good
#isat critical#like the ''we must be prepared for the destruction change will bring'' shit came back so hard at the end#specifically with loop context/destroying themself to become a star. to become loop#and the fact that when siffrin deviated from the script. finally changed the way he performed his play (act 5)#that's when it broke#and he had to ''destroy'' his friends to do it. In a way. When all he knew how to do was fight/snapped#and it's like. of COURSE loop is how siffrin was able to escape. Because escaping the loop meant siffrin had to save/love themself#value their own life and not just their friend's#to realize that they couldn't do it on their own. that they needed their friends to help them out of it. they needed support#that being loved was more than saying the right thing or doing the right quest#isat is so strong structurally/thematically/plot-wise and I personally despise it comedically/character/dialogue writing-wise#and the whole game is dialogue. like isat is the most conflicting experience I've had in a while#Where I hate actually reading the dialogue and I don't like the character writing but I love thinking about it's themes. like hello#that sucks i'd rather have it just be one or the other#*aaravos voice* you must live life in the grey#Like the king and siffrin foil is my beloved. And I absolutely adore how the King's story was ended.#But I dislike siffrin as a character and I also hate most of the game's execution#like every emotional beat is made anticlimactic by the lack of subtext and the constant repetition#(literally laughed out loud at ''my house my country my HOME!'' like we said the same thing 3 times babe. the whole game is like this)#isat has a huge case of ''we wanted conflict but didn't give characters any real flaws to be able to do it''#idk. Everyone repeated over and over that they don't touch siffrin because he's uncomfortable with it. Over and over.#And yet he's still like. ''It's because Isa finds you disgusting'' Huh. Idk if we did the work for Siffrin to come to that conclusion#Like literally Isa never does anything to even imply that. All he's ever done is sing Sif's praises. makes me feel crazy#Like ''oh he views everyone else as just a character!! a pawn!'' except no he doesn't. he barely did in act 5#and even in act 5 he's horrified at how he treated odile. like. we did not commit to that. I got sad lukewarm flowey#Do not even get me started on odile's ''I think it's so cute you trapped yourself in time and went crazy because you love us''. Girl#Like no we can. We can commit. Siffrin did bad things and going crazy was bad. Odile wasn't wrong to be upset.#Like why not 'That was terrible of you to say. But I won't leave you—you still love people who make mistakes- because what else is there?'#like we got so close with the worst loop being the permanent loop. Siffrin is still loved no matter what. But idk. Felt brushed off#oh isat...you strange being...
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incorrectbatfam · 22 days ago
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One thing I rarely see in injury and chronic pain fics is the grief that comes with missing out on stuff you love because you can no longer do them without hurting yourself. Writers who have been disabled their whole lives (or at least a long time) tend to forget that not all disabled people are used to being disabled. For able-bodied characters, especially athletic ones like vigilantes, a serious injury could mean a jarring change that includes giving up the things that mean the most to them.
I was physically fine until I was 18. Back then, my sense of self was entwined with interests that required a lot of movement and dexterity. I started doing MMA in middle school for self-defense. I loved parkour and even had a few hundred subscribers on my old YouTube channel. I learned to shoot and was gifted my first gun when I was 16. I took up multiple instruments. You get the idea.
My motorcycle accident fucked up the joints on my left side—my knee and shoulder especially, but also wrist to an extent. When it first happened, I thought I'd be on crutches for a bit but things would eventually get back to normal. The pain didn't go away even after I got rid of the crutches but I figured it was just residual and I should do what I'd been doing before. It's why I turned to substances—to block the pain and do what I love, but that's another topic. I didn't recognize my injury as a disabling thing until the end of the pandemic, when I put my parkour channel on an indefinite hiatus because it was seriously wearing my body down. It might sound silly to you but I was devastated. It's like if Spider-Man wasn't allowed to swing from buildings. It took me a long time to make peace with losing that part of me.
Another piece of that grief is even when you can do stuff, it's not the same because you have to exclude certain aspects of it for your own health. It's like the Robin that died and came back wrong. I can't use certain gym equipment and I have to tell my sparring partners what to avoid. I don't go to the shooting range much now because I can't extend my arm and hold a rifle for the amount of time it takes to aim without it starting to hurt. I'm a drummer, but I need breaks throughout the setlist and I can't do anything too fast or complex with the pedals, which means I can't play some of my favorite songs and my band is limited in what we write and perform. I can't take my motorcycle on road trips without frequent rest stops. Making accommodations helps physically, but emotionally, they're not always easy to accept because that means accepting the pain as a long-term disability rather than a temporary setback.
This got super long because I think it's unexplored in fics so some tips for creators:
First, learn how the body works and how stupidly fast and easy it is to get hurt. Mine was on a residential road because I didn't pay attention for 0.2 seconds
Learn the difference between internalized ableism and being upset over becoming disabled. I think a lot of writers skip over the feelings someone would naturally experience because it can be construed as ableism. Let them be in denial, sad, angry, etc. upon finding out because acceptance almost never happens right away. That's different from being a dick to themselves or others based on disability
Also, not everyone uses the same labels or has the same vocabulary to describe themselves. Different characters will have different ways of describing depending on their personality, level of knowledge, where they come from, and their relationship with their disability. I still don't really call myself disabled since I don't have it as bad as others so I tell people what happened instead (anyone who says "differently abled" will receive a different ability from me in the Denny's parking lot)
Think about how they cope with their new disability. Do they realize it's a disability right away? Do they talk to someone? Search desperately for a cure? Numb the pain? Turn to alternative methods? Do they worry about something else first, like money? Do they develop something else because of it, like a mental illness? Again, coping poorly is not ableism
What stays the same and what changes? I think about the difference between Forrest Gump and Lieutenant Dan after they were both wounded in battle
If they have a passion they can no longer pursue, it doesn't make much sense for them drop it so readily. Maybe they find a way to continue with accommodations (a good place to get creative!). Maybe they try and push through anyway. If they do ultimately resign, include the thought process and internal conflict behind it
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motorsportbarbie13 · 20 days ago
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Aftermath - Chapter 2
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When Lando leaves you heartbroken after you get tired of trying to make nothing into something for far too long, Max steps in to help you pick up the pieces.
warnings: this chapter contains language and descriptions that illustrate abuse (mental and emotional). lando is abusive, full stop but like many survivors of abuse, it takes reader a bit to claw herself out of this. as a survivor of abuse myself, I am doing my best to give this story line the most respect and care that i can. please don't engage with my work if you find any of the topics triggering. my sincerest apologies for not putting this in the warnings at first. lando is, once again, an absolute asshole in this. sorry bubs. swearing. i'd also like to point out that this is a character i am writing, i in no way am insinuating or implying the real lando is like this in any way. pairing: max verstappen x leclercsister!reader word count: 4k
Chapter 1 Master List
“You didn’t have to walk me home, you know. It’s only a few blocks.” You tell Max as you press into his side, shivering against the cold breeze of the Monaco night. It had been warm when you left the apartment earlier that evening but now the air held a chill that had you wishing you had taken Carles up on his offer to drive you back home. 
Around you, the city buzzes, a hive of activity on a Friday night but the extent of your world consists of only you and Max. 
“Of course I did. It’s late and cold and there was no way you were walking home alone.” 
“Max, we live in Monaco, I’m perfectly safe.” You joke but secretly, you’re glad Max had offered to walk you home. 
You’d never admit it but you liked being around him, his demeanor had always been calming to you and tonight, your nerves were frayed more than usual. It was probably thanks to the whispers you had heard at the gallery, asking not so quietly where Lando was as you walked around and spoke to the guests. He had never showed up and while you were disappointed he hadn’t showed, you weren’t quite surprised either. There had been something in his tone when you left that evening that had anxiety curling your gut before you even stepped out of the apartment. You hated to even think it, but you somewhat suspected he had never planned on showing up to the show at all that night but you wouldn’t ever put a voice to those thoughts.   
“Fine then.” Max huffs, but there’s no venom in his voice. “Maybe I just wanted to spend some extra time with you, okay? I feel like we never see each other anymore.” Max lets the unsaid end of that sentence hang in the air: ‘Because you’re with Lando now.’  
Your heart aches at the truth of his words. A lot of your friendships had taken a hit over the last three years. You hadn’t meant for it to happen, but your circle had shrunk significantly since you had started dating Lando and it shocked you how you never had realized it until now. It had started small, with Lando saying he just wanted to spend the weekend only with you while he had a rare weekend off and then slowly morphed into him only wanting to spend time with his friends so if you wanted to see him you had to spend what little time you got with him with his friends as well. Slowly, your friends stopped calling and inviting you places because the answer was always the same: ‘sorry, Lando has plans this weekend and I’m going to tag along with him!’ Or just a straight up ‘no, not this time.’ 
“I’m sorry.” You whisper, biting your lip as guilt creeps up your neck. “It’s been a rough year.” 
Max hates the regret that courses through him. He shouldn’t make you feel like this, shouldn’t voice his opinion of what he sees happening in front of him. He can’t help the frustration that bubbles to the surface when you talk like that though. He knows exactly where it comes from and it kills Max knowing that there is one person solely responsible for dimming that sparkle you’ve always had. 
Max stops in the middle of the sidewalk, causing a few tourists to shout in surprise when they have to dodge the Dutchman’s tall frame. A frown finds itself onto his face as he looks down at you. Your heart stutters to a stop, you’ve seen this look before and it has the hairs on the back of your neck prickling. 
“I hate when you do that.” He can’t help himself, he’s kept his peace for far too long but the fact that  Lando missed tonights show has been burning a hole in his chest all night and the embers were about to flare to life. 
Panic squeezes at your chest. Around you, people are shooting glances your way as you both stand in the middle of the crowded sidewalk. You only have a few moments before someone notices it is you and Max Verstappen and start taking pictures. Pictures that will inevitably show up on some gossip instagram account and cause you more trouble than they’re worth. 
“Do what?” Despite your desire to not be seen arguing with Max, you can’t help the question that slips out. 
“When you apologize for things that aren’t your fault. Anyone with eyes can see who the problem is in your relationship and it’s not you, Dovie.” Max’s words come out more harsher than they intend and he knows he’s approaching a line that probably shouldn’t be crossed tonight. 
You can’t bring your eyes up to meet Max’s heated gaze but you can feel him looking at you. Those blue eyes you used to think you could get lost in when you were younger. Before everything changed. Before you met Lando and he swept you right off your feet. 
“Charles told me about the apartment.” Max confesses. Maybe if you know you have others supporting your decision to leave, it’ll make it easier. He hopes that his support would mean something to you.
Your stomach plummets to your toes, cheeks burning red with shame. “Charles should keep his big mouth shut.” You bite out, fists working themselves into a ball at your sides. 
Max’s eyes narrow at your outburst. There was the fire that you’d been missing. Something in Max heaves a sigh of relief, you’re still in there. You’re on the cusp of getting that fire back and Max can almost see you reach for it deep in the pit of your belly. You’re so close to the edge and Max knows you well enough to know when to back off.  
“I’m sorry.” He holds his hands up in surrender. “I won’t press. I just wanted you to know that I miss you.” 
Max momentarily wonders if he’s gone too far when he sees tears well up in your eyes. His heart squeezes at the thought of being the one to make you cry. 
“I don’t know what I’m going to do.” You sob, no longer caring who sees you or what could possibly make it back to Lando. “I know you’re friends with him and I shouldn’t put you in the middle of our mess.” 
Max’s brows knit together in confusion. The fact that you would question his loyalty to you over Lando simply baffles him. “I’ve been in your life longer than I’ve known Lando and you’ll be in my life long after he’s gone.” Max lets that last sentence hang in the air, the prophecy of his words clinging to your skin. 
“Max.” You whisper, floored by the fierceness of his tone and the sincerity of his words. 
Panic claws at him. He’s gone too far, revealed too much. He can’t do that with you now, not when you’re already so fragile. You don’t need that from him and he knows it. Back off, something in him orders and alarm bells clang to life. 
“All I’m saying is,” Max keeps his tone deliberately light. “If you need a friend to talk to, I’m here. Always.” 
You nod, appreciating how he backed off when he saw you panicking. 
Max takes your elbow before turning you around, pointing you in the direction of your apartment. “Come on, let’s get you home, okay?” 
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As Max walks you the rest of the way home, Lando is still set up in his gaming room playing Tarkov with Max on his stream. As they begin another raid, Lando notices Max’s stream start to pick up at a much faster pace than it’s been running all evening. He’s been streaming for hours now, since before you left the apartment and while he knows the opening should be wrapping up right about now, he has a hard time caring. Those things are always so boring and he never understands the art, even if it is nice to be photographed out with you and your brothers. 
“What is this link everyone’s spamming chat? You all know if you start spamming, we’re going to mute you.” Max asks, frustration evident in his voice. 
Lando glances over at the chat screen on his second monitor and sees his name flying by along with what looks like an instagram link. He knows he shouldn’t click on dodgy links but curiosity gets the best of him because at the same time the chat starts to explode, so do his notifications from Instagram. “The fuck?” He mumbles, ignoring Max who is reading the chat as they come in. 
“First Verstappen steals your championship, now he’s stealing your girl? Chat, what the fuck are you all on about?” 
Lando can feel the heat rising in his face and he’s instantly thankful that he’s got his video off. He mutes himself quickly too before texting Max, who is desperately trying to regain control of the chat. The link finally opens and Lando nearly drops his phone. He’s been tagged in a series of photos that show you and Max walking out of the gallery together, then you two stopped in the middle of the sidewalk embracing with you clearly looking upset, and then a final one showing you two walking away together. 
Anger flares bright and sharp in his chest as he looks at the photos. You’re making him look like a fool, galavanting around town with the likes of Max Verstappen late at night, especially after all he went thorough with Max last season. What the fuck were you thinking?
“Alright, chat I think that’s going to be the end of the stream tonight. This is why we can’t have nice things!” 
Max ends the stream without a second thought, knowing that Lando is going to be incandescent with rage after seeing those photos and reading all the comments. 
f1.gossip.source posted
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f1.gossip.source First he steals the championship, now it looks like Max Verstappen is making a play for @/lando's girl. Uh ooooooh... user9928 I mean, she looked pretty upset in the other pictures I saw leaving the gallery. Lando didn't show to support her so... user298 paddock bunnies gonna bunny >>>user223 she's literally known Max almost her entire life??? user110 this isn't a thing...her and Max have been friends for YEARS. Leave the poor girl alone user1008 lando's loss, she's amazing. user918 idk but if my girl got caught getting a kiss from another guy, I'd go scorched earth >>>user028 SERIOUSLY I am floored by the people defending her??? Like??? >>>user928 maybe if Lando showed up for his girlfriend, Max wouldn't have had to step in and comfort her...?
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As Lando struggles to come to grips with what he just saw, you and Max are standing in the lobby of your apartment as you desperately search for your keys. “Fuck, I think I forgot my keys upstairs.” 
“Just give Lando a call, I’m sure he’s still up.” 
You shrug, cheeks heating. “He sometimes gets tunnel vision when he’s streaming and forgets to check his phone.” You admit, not wanting to go more into detail because you know how bad it’ll sound if you have to tell Max that sometimes Lando will completely ignore you while he’s streaming. What you also don’t tell him is that this has happened to you before and all three times, you’d had to spend the night at either Jade or Charles’ house because he had been on stream so late you had nearly fallen asleep in the hallway. 
Max levels a glare at you, unable to believe what you’re saying. “Well, lets both go up then and maybe we can get his attention by knocking.” 
Anxiety ripples through you as Max starts off towards the elevators, giving you no other choice but to follow him. It’s a quiet ride up to your floor as you fidget with the hem of your shirt, unable to even attempt to make small talk with Max. You know the facade of your entire relationship is about to be lifted right in front of one of your oldest friends and you don’t quite know how to make it stop. 
When you raise your hand to knock, your heart hammers in your chest so wildly you momentarily worry Max is going to be concerned for your health. Much to your surprise, it only takes a few short moments for the door to swing open so fast you nearly stumble back. 
“What the fuck is he doing here?” Lando spits when his eyes land on Max. The venom in his voice is so shocking you need to take a step away, unintentionally stepping closer to Max, which seems to set Lando off even more. Rage flares in his eyes at your proximity to his on-track rival. 
“That’s a wild way to say ‘hey man, thanks for walking my girlfriend home in the dark because I couldn’t be bothered to show up to her art show’ but you’re welcome.” Max grits out, taking one step closer to you as if he might need to get between you and Lando. 
Tension hangs thick between the three of you as Lando seethes where he stands in the door. 
“Max, it’s okay.” You whisper, shame lighting a painful spark of fire deep in your chest. This was going to get out of control so quickly. 
“No, it’s not and you know it.” Max turns back to Lando now, eyes blazing with a level of anger that is miles more intense than the look Lando is giving you. “And why the fuck are you coming at her so hot? All I did was walk her home.” 
Lando scoffs, rolling his eyes. “Because this was just posted by almost a dozen gossip accounts and was being spammed all over Fewtrell’s chat while we were streaming.” 
You take the phone Lando is brandishing in your face and go pale. The carousel of photos in the new post are pretty damning, you have to admit but you would have thought that your boyfriend of all people would know better than to blindly believe a series of grainy photos above trusting his own girlfriend. 
“Lando…” You sooth, arm reaching out to touch his elbow. You wince when he pulls away from you. “You of all people should know how those things are twisted. Max was just walking me home and we were talking, that’s it.” 
“But why was he hugging you?” He shows you the third picture of Max hugging you after you had started crying out on the street. You had to admit you were kind of impressed with how fast those photos got out, but it was Monaco after all and you hand’t exactly been discreet when you were upset with Max. 
“Because she was upset you didn’t show up for her. Again!” Max shouts and you flinch.
 The words slice a fresh wound across your heart. The fact that Max knew that this wasn’t the first time upsets you more than you think it should. You’re not entirely sure why Max’s opinion of you matters so much but you’re not quite willing to examine those feelings yet. 
Lando’s glare swings away from you and back onto Max. “Because I’ve been to a million of them and they’re all the same. Same pretentious people pretending they have taste. Once you’ve been to one you’ve been to them all.” 
The words that come out of your boyfriend’s mouth have you audibly gasping, hand flying to your throat. “Lando.” You whisper, pain and shock coursing through your voice. 
You swear you feel a brush of fingertips on the small of your back but the touch is so light and so quick you think you’ve imagined it. 
Something flickers behind your boyfriend’s eyes then and it’s almost like he realizes he’s gone a step too far. His shoulders sag and he shakes his head. “I didn’t mean that, I’m sorry baby.” Lando reaches for you and before you can step away, he pulls you into his chest. He doesn’t miss the way you stiffen in his embrace though and neither does Max. “Please come inside and we can talk about it alone, okay?” He whispers, glaring at Max, clearly dismissing him. 
The way his arms used to feel around you was comforting, you’d seek his affection when you were anxious or upset and he would always take care of you but somewhere along the line, the affection you craved stopped being handed out so easily. Now, you craved it but only because if he was touching you it meant he wasn’t mad at you and maybe this time it would be different. Every time he showed you this kind of affection you hoped that this would be the time he would change. 
It never was. 
“Thank you for walking me home, Max. I’m sorry you got dragged into this.” 
Worry lines crease the spot between his brows as he frowns. Everything in his body is screaming to put up a fight and not let you go inside with Lando. He knows if Charles were here and had just witnessed what he had, there was no way Lando would be leaving this building in anything other than a body bag but he wasn’t Charles and he didn’t have any entitlement to you. He wanted to fight but you weren’t his to fight for. 
“Call me if you need anything, okay Dovie?” 
Lando’s arms tighten around you at the nickname. He hates it and Max knows it. “She won’t need to, I’ve got her.” 
“You sure about that, mate?” Max asks, one brow tipping up in question. 
Without waiting for a reply, Max turns on his heel and walks towards the elevator. In his pocket, his fingers curl around his phone because the moment he gets out of the building he knows exactly who he’s going to be calling: Charles. 
As soon as Max leaves and your behind closed doors, the mask slips again. 
“What the fuck were you thinking, walking home with Max fucking Verstappen? And hugging him?” Lando is pacing the floor of your living room as you stand there, helpless to say anything against his raging. 
It’s usually like this when he gets angry with you and you’ve gotten good at being quiet while he rages. You have to let him work out all the anger and eventually you know he’ll calm down and apologizes for losing his temper. You’ve seen this before and you know exactly what to do, how to humor the angry beast that has surfaced once again. 
“Lando, it wasn’t like that and you know it.” You fight to keep the exasperation out of your voice, knowing that would just set him off even more. “I was alone, my brothers were going in the opposite direction, and Max offered. That’s it! It was completely innocent.” Despite yourself, you try to reason with him.
“You should have just gone home with your brothers then instead of putting yourself in that position.” He snaps and you glare at him. 
“You would have rather me not slept here at home tonight than take an offer from a friend to walk me home? All because you didn’t follow through with what you said you’d do?” 
You know you’re pushing him and Lando doesn’t like to be pushed. Your conversation with Charles two weeks ago flickers through your mind. How you deserve better and it strikes you then that everyone but you can see it. Everyone around you, everyone that loves you can see how bad he is for you, how poorly he treats you and how much you’ve changed since you started dating him. 
You supposed that if you had changed for the better, maybe everyone who loved you wouldn’t have anything to say. Don’t people change for the people they love all the time? You were sure they did but you weren’t sure you liked the change you saw in yourself anymore. You couldn’t fight it, this change that felt like you were wearing shoes that were three sizes too small for your feet. Like you had outgrown yourself in a way that wasn’t okay and you somehow needed to find your way back to who you were before Lando. Before he broke you. 
“And avoid you causing social media chaos that I’m going to be dealing with for weeks now?” Lando sneers, crossing his arms over his chest as he looks down his nose at you. “Yeah, absolutely.” 
You laugh, cold and bitter, as you shake your head. “Thats real nice Lan, real nice.” 
“I’m just saying. Now the rumor mills are going to start up again. Whenever you’re at a race, people will be watching to see if you’re with Max again. Or maybe next time it’ll be Lewis. Or maybe you want to go a bit younger? Get a ‘friendly escort home’ from one of the rookies? I’m sure Franco would love to try his hand with you. My girlfriend, the paddock bunny being passed around.” 
The ache in your chest grows as he chooses his words carefully, barbed and sharp as glass, so they hit their intending target, cutting through you like butter and causing mortal damage.
“You don’t have to be so mean.” You whisper. “I’m sorry that the pictures hurt your feelings and were taken out of context but you don’t have to be so mean.” 
Tears threaten to spill and you will them to stop, knowing that will only fuel Lando’s fire. He loves when he upsets you like this, when he gets to tell you what a drama queen you are. Just like your brother, he would say, always whining and crying on the radio about how Carlos wasn’t being a team player and letting him win when he didn’t deserve it. 
“If I’m not the one to give you a reality check, then who will? Your entire family has coddled you for your entire life and you think you deserve some level of respect that you haven’t earned. If you deserved that kind of respect, you would have gone home with your brothers or walked home alone. People who deserve respect don’t put their relationships in jeopardy because they’re afraid to be alone at night.” 
“Put our relationship in jeopardy?” You laugh again, rolling your eyes at the audacity of what Lando is saying. “Lan, you really are being a bit over dramatic here, don’t you think? I’m sure the PR department at McLaren will take care of this by the next race, no big deal.” 
Lando laughs, dark and bitter as he takes a step towards you. You have to fight the urge not to flinch when he gets closer to you. Deep down, you know he’d never raise a hand to you but it’s hard to remember that when he gets in your face like this. “Now you expect McLaren to clean up your mess?” He hisses. “God, you really are a spoiled little girl, aren’t you?” 
“I’m just trying to find a solution to the problem that I seem to have caused.” You snap back, courage flaring in your chest as you stand up a little straighter. Max’s words from earlier play back in your head: ‘anyone with eyes can see who the problem is in your relationship’. “What if I come to the next race? If the two of us turn up in the paddock together, that will help quiet the rumors, don’t you think?” 
Lando narrows his eyes, “So you can get more attention from Max? Absolutely not. I’ll have McLaren handle this, okay? Just forget about it.” 
You want to scream at his solution because it was the same exact thing you had literally just suggested and been laughed at. But that was the way Lando was. If it wasn’t his idea, it was the worst thing you could have suggested. As long as it was his idea though, it was brilliant and the perfect solution to everything that was wrong. You should have anticipated this coming but you knew it was useless to fight with him. 
All at once, your body is overcome with this total wash of exhaustion. Total mental and physical exhaustion grips at your throat and you sway on your feet. “I’m going to go to bed.” You choke you. “In the guest room.” You tack on before turning on your heel and walking away from the fight like you do every time. Lando always gets the last word and as he stands there alone in the living room he feels like he’s won this one. He’ll have to call Sophie in the morning to get her to start working on damage control but for now? For now, he’s sure you realize your mistakes and you won’t put a toe out of line like that for a long time. 
Little does he know that all he’d done tonight was push you past your breaking point. 
(Quick note!!! If you want to be added to the tag list, I absolutely will but when you request that, can you pleeeeease let me know if you want to be on my general tag list or just the specific fic you're commenting on. ❤️)
Tag list: @shelbyteller, @martygraciesversion381, @samantha-chicago, @stelena-klayley @dark-night-sky-99 @luckylampzonkland, @aykxz98 @forensicheart @cheer-bear-go-vroom @lieutenantchaos @willowsnook @linnygirl09 @meglouise00 @mixedstyles @secret-agents-stole-my-bunnies @mrosales16 @charlesgirl16 @leclercdream @daemyratwst @dramaticpiratellamas @mochimommy2002 @llando4norris @iamaunknownsecret @maxivstappen @imlonelydontsendhelp @nina-or-anna-or-nora @a1leexxa @littlegrapejuice @sunflowervol18 @freyathehuntress @finn-dot-com @swiftie-4-lifes-stuff @chirasama @lauralarsen @dr3wstarkey @saskiaalonso @rbv3rstappen @ilovechickenwings @guaaafiiburg @mcmuppet @mindless-rock @piastri-fvx @mel164 @schumi-angel @myescapefromthislife @supertrashbread @sunny44 @tinystudentblaze-stuff @sarx164 @ilove-tswizzle
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badbugbotblood · 3 months ago
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WH- ME? And my tiny account? Getting tagged in something neat out of the blue? Well I'll be!
(pspspsps @king-candybug-backup)
As for my results:
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A perfect 50/50 split between these two, which on the surface level does make sense.
Hey everyone!
I just made a Core Four-themed personality quiz!
@bashfulgnome
@thebluejetpack
@sadboytristan
@sgtcalhouns
@junkkey
@badbugbotblood
@speared-mint
@wreckitralphrestart
@wreck-it-hell
@ask-icancraft-it
@therockyroadster
@randomalistic
Reblog this post with your results!
#I'm not as outspoken and brave as Ralph but I have a pretty strong sense of justice#And I always make an effort to offer a shoulder to someone in need even if it's all I can provide right then#Definitely familiar with being a social outcast as well#On the other hand I'm extremely meticulous at work (sometimes to a fault)#And do quite a bit of heavy lifting both in the literal and organizational sense#I like taking stock of what we have in storage (I work in a bakery - how fun is that?) and riding along with deliveries#And put a lot of effort into cleaning before we close up shop for the day - no stone goes un-turned when I'm on sweeping duty#Both of these characters have their moments of having short fuses (for their own reasons) which... Yeah#I am not angry /often/ but it's also not *exclusively* when it matters#I can ABSOLUTELY get pissy about petty in-the-moment shit when someone gets on my nerves enough#It doesn't make me feel good in hindsight but sometimes the emotions just get away from me and kind of explode#I'd say my anger is more like Ralph's in the sense that it builds up from compounding factors until a boiling point is reached#Vs Tamora's more abrupt sit-down-and-shut-up no-nonsense leader-type stern shutdowns#I've had those a few times when I needed a colleague to pause and seriously take a good look at WHAT they were doing#But most of my anger stems from things not going right for me in the moment and not being given my space to decompress#I've definitely grown to love Ralph a LOT more since rewatching this film after the Parrot Essay#And I relate quite a lot to the big guy. I think we would be on good terms#Tamora would NOT be enthused by my collection of wacky giant live exotic pet invertebrates#Poor Markowski would not be seen within a MILE of where I live#My other results were 14% for Vanellope and.... 0% FELIX???#Which I don't understand (I guess it was the video games/help clean up after work/school question. That or the kart bakery answer)#But it's a small quiz so there were gonna be limitations. I DO identify with Vanellope's creativity although I'm super perfectionistic#I definitely think I'm more like Felix in that I can't ever let a broken thing sit there without at least making an ATTEMPT at fixing it#I don't tend to be bold like Vanellope is and I'm not a competitive person#If anything it discourages me when something is made out to be a contest because I do crack under pressure sometimes#And I'd much rather engage in something cooperative and work at a pace I find comfortable#Wreck-It Ralph WiR#Tamora Jean Calhoun#Character quiz
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ordinaryschmuck · 3 months ago
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With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:
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Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.
There's also this bit of official art surrounding Jax's pin:
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Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.
And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.
Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:
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Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.
No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.
Sound familiar?
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Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.
They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.
Going back to the pin...
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I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.
Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.
However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."
If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.
Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.
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acid-ixx · 3 months ago
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✮ — 𝐎𝐏𝐄𝐑𝐀𝐓𝐈𝐎𝐍 𝐃𝐎𝐌𝐈𝐍𝐈𝐎𝐍 : in which control is your only friend . . . (concept idea)
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guys let me cook on this one but i suddenly want to post about an isekai trope au with modern! reader being transported into the world of dc comics. of course you're sentient, but sentience doesn't mean autonomy, because you're forced to don a new identity as a vigilante; guided by a malicious system only you can perceive.
a superhero, a new canon to the world, whose body is still adjusting to its given powers. you are not omnipotent, you are not a deity, and you most certainly could not adapt at such a timely rate; but you were once omniscient to the multiple plots and universes of the world you now live in. that is the only advantage you have amongst the unease you feel at the knowledge that eyes are now plastered all over your existence; a twisted game toying with you, with the price being your very life.
turns out, your existence is controlled by the very viewers (you guys, the commentors, the voters) who determine whichever fate you land on, a rule told by the system from when you were once transported into the world. whether it'd be mere yes or no answers to awkward questions, or even something as major as choosing to save others, or yourself in a life or death situation, and even as far as your love interests— only they can choose, and you'd be left to commit upon such acts, with or without your consent.
imagine, not only your presence is bared naked to the entire world, but every word you say are remembered, are criticized weekly. each and every action of yours that aren't determined by your cruel fans will gain both equal and opposite reactions.
your superhero name is chosen by whoever is the sick mastermind of this entire game. and you! for now, silly you would enjoy the momentary lapses of excitement meeting your favorite characters, but happiness in such a world does not exist. the longer you stay, where every week, your own destiny dictated by phone calls, comments, likes, reactions, and polls; the more you wish you never once set out to abide within the rules of this... game.
it is only your emotions, your thoughts that you can control, but never certain actions at major events. there is no such thing as discontinuity, or changing plotlines once you're able to catch a moment on what you truly wish to say.
as your story is published amongst thousands of people, it is up to your viewers, your deities, to decide whether or not you should live, die, or give you a chance to try to survive without them.
and it is up to you whether to fight back, or to allow their choices to destroy your very life.
either way, your tale is set to capture the hearts of many. and the only destiny nobody, not even your fanbase, nor you, could change, are the multiple set of characters within your world to eventually set their eyes on you.
and my, oh my, it is never once mentioned within these lines of texts that these characters are controlled by anybody, no?
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*ੈ✩‧₊˚ are you interested to join your journey ?
♛ —⠀YES !⠀ yes, i'd love to see where this goes.
♚ —⠀NO !⠀⠀i'd rather not endanger myself, no thank you.
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deliciousangelfestival · 3 months ago
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You're the One - 1
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Summary: A daughter uncovers the wild, untold story of how her parents’ marriage began—and it’s way better than any romance movie she’s ever watched.
Character: Bucky Barnes x Female!Reader
Genre: Romance, Comedy
Words Count : 2,100
Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 ,-
Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻
Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️
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Having a cool dad like Bucky is a blessing. For Jade, it definitely is. Her friends, after meeting him, always say things like: “He’s so cool!” “He’s so funny!” or even, “Can we trade dads?”
Jade could only roll her eyes. Sure, Bucky’s pretty chill and easygoing about most things, but there’s one thing that drives her crazy.
It’s not a big deal for her, but for Bucky, it’s a huge one.
Romantic movies, especially where the bride runs away from the wedding.
That’s why their house only has action and mystery movies.
But tonight, Jade wants to watch one of her favorite genres at home. Why? Because their home theater is amazing, a special project Bucky built for his wife and daughter.
Unfortunately, her dad’s silly rules mean she can’t enjoy it.
But tonight is different. He’s heading out to pick up her mom from the airport.
Jade is sitting on the kitchen counter, waiting for her dad to leave.
In the hallway, Bucky stands in front of the mirror, fixing his hair and shirt while whistling a tune. Through the mirror, he notices Jade watching him.
“Don’t have a house party,” he says, pointing at her with mock sternness.
“Yes, yes,” Jade replies, hopping off the counter. She walks over, pushes him toward the garage, and tosses him the car keys. “Go pick up Mom.”
Bucky chuckles as he stumbles slightly. “Alright, alright. You’re awfully eager to get rid of me tonight.”
She smirks. “I just know how much you missed her. You two will probably go straight to dinner or something. Now, go!”
Bucky shakes his head, amused, and heads to the car. But as he opens the door, he suddenly stops.
“Wait… my wallet.”
He heads back inside.
“Jade?” he calls out. No response.
On the counter, his wallet sits neatly next to the fruit bowl. Grabbing it, he pauses. The house feels… too quiet.
“Jade!” he calls again, louder this time.
Still no answer. Frowning, he checks the living room and kitchen before heading upstairs. Knocking on her bedroom door, he’s met with silence.
“Did she sneak out?” he mutters. That didn’t seem like her.
Then it hits him. The home theater.
As he walks back downstairs, the faint smell of buttered popcorn wafts through the air. His suspicions confirmed, he pushes open the theater door.
“Jade!”
Startled, Jade nearly drops her popcorn but manages to save most of it. “Dad!”
She fumbles for the remote, pausing the movie and quickly turning off the screen. Her heart races—the scene on display had been the bride in a wedding dress.
Bucky strides forward, picks up the DVD case, and reads the summary. With a single glance, he knows exactly what it is.
“Jade, how many times have I told you? No romantic movies like this in my house.”
“But why?” she groans, flopping dramatically into her seat. “We have the best home theater! I just want to use it!”
Bucky crosses his arms, his expression stern. “Because they’re predictable. It’s always the same: someone’s crying, someone’s chasing, someone’s kissing. And the bride always runs away for some cliché reason.”
Jade huffs. “Why do you hate them so much? It’s not like Mom ever ran away from a wedding or something.”
The moment she says it, Bucky freezes.
Jade stares at him, her eyes widening. “Oh my God. Wait—she did, didn’t she?”
Bucky doesn’t answer. He turns and heads toward the door, but Jade jumps up, running after him.
She wraps her arms around his waist, trying to hold him back. “Dad! Is it true? Did Mom run away? How did you chase her? Why am I just finding out now?”
“I’m going to be late picking her up,” Bucky mutters, dragging himself forward with his daughter clinging to him like a koala.
Then, a notification chimes.
Both father and daughter glance at the phone on the counter.
The family group chat reads: “The flight’s delayed three hours. 😔”
Jade grabs the phone and shows him. “Look, Dad! Mom won’t be here for another five hours.”
Bucky sighs, rubbing the back of his neck.
“Please tell me!” Jade begs. “I promise I won’t watch the movie. This is way more interesting. Why did Mom run?”
Bucky turns to her with a serious expression. “She didn’t run away.”
“Huh?” Jade tilts her head, confused.
“She didn’t run away,” Bucky repeats. “I kidnapped her on her wedding day.”
The room goes silent.
Jade’s jaw drops as she points an accusing finger at him. “You… you stole Mom from someone else?! You're the bad guy!"
Bucky rolls his eyes and pushes her hand down. “If I hadn’t, she wouldn’t have had a happy life.”
He heads to the kitchen, grabs a cold bottle of water from the fridge, and takes a long drink.
Jade, now buzzing with excitement, follows him like a shadow. “Tell me! Tell me everything! How did that happen?”
Seeing her curiosity, Bucky sighs and gestures to the couch. “Fine. Sit down. I’m only telling this story once.”
Jade darts to the couch, grabs her popcorn, and settles in, eyes wide with anticipation.
Bucky clears his throat and leans back against the counter. “Alright. It was 15 years ago…”
💍🔔💍🔔
15 Years Ago
The changing room in the chapel buzzes with excitement. Your bridesmaids gather near the mirrors, giggling and chatting as they adjust their dresses and share jokes.
“Oh, did you see the flower arrangements?” one of them exclaims. “The Jordans really went all out!”
“They’re stunning. Just like this wedding,” another adds with a dreamy sigh.
Their energy fills the room, but you sit quietly in front of the mirror, staring at your reflection. The white wedding dress you’re wearing is nothing short of a masterpiece. Designed by a world-renowned fashion house, it fits you perfectly, every intricate detail exuding elegance. The lace, the pearls, the veil—it’s flawless.
But it doesn’t feel like yours.
“You’re so lucky,” one of the bridesmaids says, leaning toward you with a knowing smile. “Everything about this wedding is perfect. And Clark? He’s an absolute catch. You’re living a dream!”
You force a smile, your lips twitching just enough to look convincing. “Yeah… lucky,” you reply softly, though your voice lacks conviction.
In truth, you don’t feel lucky. You feel trapped. This wedding isn’t about love; it’s about business. The Jordans—one of the wealthiest families in the country—are securing an alliance with your family. It’s an arrangement, a deal sealed with vows.
It’s not that you dislike Clark. He’s kind, patient, and honest—a good man by anyone’s standards. The wedding is happening with your consent, after all.
Still, your heart feels heavy, uneasy. Marriage is forever. And with Clark? The problem is, you don’t love him. Not yet.
You hope, maybe after the wedding, the love will grow. Maybe with time, you’ll learn to love each other deeply. But right now, your heart is stuck in the past.
It doesn’t belong to Clark—it belongs to someone else.
Bucky.
The thought of his name makes your breath hitch. That wild man who once turned your world upside down. He was nothing like the calm, dependable Clark. Your parents couldn’t stand him, but you didn’t care. You chose him. For a while, you and Bucky were unshakable, inseparable—until life threw challenges your way, and the weight of it all broke you apart. He was the one who ended it, leaving you shattered.
Your gaze drifts to the window. You wonder where he is now. Is he happy? Did he achieve his dreams? Has he found someone else?
You shake your head and whisper to yourself, “Why am I even thinking about him?”
Pressing your palms to your cheeks, you try to push the thoughts away. It’s your wedding day. You should be focused on Clark, not your ex. You give yourself a light tap on the forehead. “Stop it,” you mutter.
But just as you’re about to take a deep breath, the door to the changing room bursts open with a loud bang.
Startled, you whip your head around, your eyes widening.
“Bucky?!”
There he is, standing in the doorway like he’s just stepped out of a different world. His leather jacket looks completely out of place among the pristine suits and elegant dresses. His dark jeans and worn boots carry the same rugged confidence you remember.
“What are you doing here?” you stammer, rising to your feet, your heart pounding so hard it feels like it might leap out of your chest.
He steps closer, a familiar smirk tugging at the corner of his lips. “Isn’t it obvious?” he says, his voice low and teasing. “I’m here to steal the bride.”
Your breath catches, and your mind races. “Huh?” is all you manage to get out.
Before you can process what’s happening, he closes the distance between you. In one swift motion, he grabs you and hoists you over his shoulder like a sack of potatoes.
“Bucky!” you shriek, pounding your fists against his back. “Put me down! Are you insane?!”
He chuckles, his grip firm as he carries you toward the door. “A little, yeah. But you’re not staying here.”
Your bridesmaids are frozen in shock, their mouths agape. One finally breaks the silence with a panicked, “Somebody stop him!”
But no one moves. Maybe it’s the sheer audacity of the moment, or maybe it’s the dangerous confidence in Bucky’s eyes. Either way, you find yourself being carried out of the room, your heart racing in a way that feels strangely familiar.
“Bucky!” you shout again, your voice laced with equal parts anger and panic. “You can’t do this!”
“Oh, I can,” he replies smoothly, “and I am.”
As he strides down the hallway, you struggle to free yourself, but his grip doesn’t falter. Despite the chaos, there’s a part of you—a small, buried part—that feels alive in a way it hasn’t in years.
And that terrifies you.
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wileycap · 1 year ago
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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.
So.
It's okay. B, maybe a C+.
That's it.
Now for the spoilers:
The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.
The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.
The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.
Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.
The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.
The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.
Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.
In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.
And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?
Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.
In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"
They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.
It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.
To sum it up: Netflix Avatar is a mile wide, but an inch deep.
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i6eyes · 2 years ago
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%% jean kirstein bf hcs !!
pt 2
contains: sfw and nsfw, implied fem!reader (no y/n), established relationship, soft jean teehee, jean’s horse cawk, nothing too graphic tbh
— who knew a fucking stallion will be the one who's going to bring me back from the dead .
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sfw
omg omg he's soo tall right
definitely puts his arms around your shoulder, and kisses u on your temple or forehead too
the sweetest !! i feel like he would be so so attentive to u
oooh u did a double take at the dress u guys walked passed by earlier in the mall? woah it's suddenly in ur bed the next day !! :OO
he's a nice cook ! can cook but the best, his expertise are mostly breakfast foods but he can cook you lunch and dinner as long as he has a recipe
oh he'd be absolutely smitten !!!! i luv big scary men being total sweethearts to their s/o
if ur trying some shoes, he'd be the one to do all of the work ! he'd kneel down, take off your shoes, puts on what you chose on you, will be the who's going to take it off too, then will tie or buckle your shoes up for you
or or or, he'd be out alone and he passes by this little store filled with trinkets and stuff. safe to say, he walked out of the store with a silly little keychain he knew you'd like
^^ one of his love language is acts of service
he loves spending time with you. specially the moments where you two just chill and share some occasional kisses here and there
his favorite thing to do is have you lay on top of him while he's laying down and make you talk about your day !! he'd play with your hair and caress your nape and back while you do so :((
he's obviously attractive, but he doesn't know how much
there's so many simple things that he makes attractive
his attentiveness. you'd be in the grocery then he'd suddenly disappear for a while, only for him to come back with arms full of chips and snacks. "these are your favorites, right?" he said while dumping them in the cart, not even waiting for your answer.
oddly specific but the way he leans on every door way. you know the thing where people place their hands on top of a doorway? that, but he subconsciously does it everywhere. omg imagine he fetches you from your house for a date and the moment you open your door, boom! there's jean, towering you with a smile on his face.
he knows how to slow dance, like the ones in the movies where the main characters would suddenly dance in their living room, to which, he did with you!
slow dancing in the living room with jean :(
if you're still in school and he sees you struggling with a subject or school work, he'd help you as soon as he could, specially if it's something he already learned before. but! if that's not the case, he'd take his time to learn what you're having problems with and try to come up with an explanation to make you understand better
he's so lame (affectionate)
nsfw
oh boy
he's not the stallion for nothing
easily one of the biggest cock in the aot verse
usually, i'd be realistic when it comes to sizes, but jean is at 7-8 inches.
hhhhhhgggh, king of dick prints. he's naturally big even when soft, about 5 to 5.5 maybe. < he's a grower
he's such a big man, his proportions are perfect, of course he needs a big fucking cock to go along with it
he keeps his happy trail no matter what happens. he knows it's attractive and knows that you love seeing it on him
^^ up to you whether you want him to shave or trim, he's fine with anything as long as he keeps his happy trail
wide athletic shoulders that he puts your legs at while he's eating you out our splitting you open with his cock
this man's proportions are actually making me insane i don't know how to put my thoughts into words anymore
his hands are big, but not huge or ginormous. it's pretty and rough looking at the same time. his fingers are longer than most men's but are thick enough like the ones most are familiar with when thinking about a man's hand.
his nape is sensitive, simple touches like brushing his hair back will make him shiver. hickeys also show more easily on his neck, just suck on it lightly and there's already a blooming red mark left in its wake.
oh my god, touch his torso or the bottom of his stomach (ehem, close or at his happy trail) and he's gone. it's starting to become an actual problem because there would be completely innocent moments where you touch those places because you need to get pass by him and he'd just suddenly pop a boner on the spot.
*taps mic* soft dom
he absolutely loves praising you, it's an unconscious thing he does
you'd be on your knees, sucking in his cock on your mouth as much as you could, and he'd groan while keeping your hair out of your face using a hand while the other caresses your cheek, wiping away the tears that lay there.
^^ "there we go, knew you could do it.", "fuckin' natural at it.", "think you could take me a little deeper? uh huh? yeah that's my good girl."
im in shambles
he's SOOOOO good with his fingers my GOD.
he knows what it takes to make you cum with his fingers, he has an actual technique it's crazyyy. doesn't prioritize in making it fast or hard or whatever, whether you like it like that or slow, he will follow his own lead on what he thinks will make you feel spineless.
knows the fingers inside you, palm on your clit thing. has made you squirt using it on multiple occasions
while he adores missionary because he loves seeing your face and folding you in half with your legs beside your ears, doing it doggy will always make him carnal
he has a thing for your backkk. he'd grab the one side of your shoulder while he's hitting it from the back, sometimes he'd bruise your hips with his grip instead
will slap your ass. not really in a sub/dom dynamic. he just likes the way he sees his handprint on your ass while you're writhing beneath him
stroke game is unmatched !!!!!!!!!
he doesn't rely on his size alone, this bitch is actually prepared and knows his shit y'all
even if he doesn't or can't push all of him in, he'd work with what he's able to put inside you and god does he do it well
during missionary, expect him to put a pillow under your hips despite his size and knowledge. he want to make you feel the best at any given time
while he doesn't mind if you're a loud moaner or what, he LOVES hearing you whine.
if you're a whiner, boy is it a good time to be ALIVEEEEEE
he founds it so cute and hot <3
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elucubrare · 2 years ago
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What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?
this is really complicated - i can put it in two boxes, both of which are packed very full.
disconnection from the material reality of the past
when characters display a very specifically modern mindset (about social issues especially, but other stuff too)
(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)
there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.
my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.
Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.
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airybcby · 7 months ago
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It's Nice to Have a 'Friend'
( soft launching with the haikyuu boys )
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a / n — these are fun to make so i thought i'd do one for my favorite boys. find the blue lock version here !!
content — haikyuu characters x gn! reader, takes place during timeskip, fluff, tried to make it as gn! as possible, but the photos have women, lmk if i missed anything!
synopsis — soft launching with the haikyuu boys <3
✿.。. “ sun sinks down, no curfew, ” .。.✿
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has a great following for being 'aesthetic' even though they rarely try. most things they post have photos of things they've done in the week like pictures of their food or them working.
their followers are used to aesthetic photo dumps with 10 photos each that have no rhyme or reason to them, so when they get online and see a post from their favorite account with only 3 photos and the caption
" my love " with the song 'my love mine all mine' by mitski attached? there was immediate reactions, some trying to find out who this mystery person is while others seemed to be happy with just these little snippets of the relationship.
theyluvmeee: OMG?? anyone know who this is??
↳ anon2001: it's a soft launch for a reason. that's like- common sense i fear.
they don't think of themselves as a 'content creator', they just like posting their photos. however, they did like how much strangers on the internet would stand up for them and your relationship.
°❀⋆.ೃ࿔*:・ AKAASHI KEIJI, ennoshita chikara, ARAN OJIRO, daichi sawamura
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has a decent amount of followers, mostly just people they'd known in high school and family, but there were a few hundred people who followed for the cute quotes that they would post before one of their chaotic photo dumps.
their usual feed was filled with the first picture being a quote that really made you think and then the craziest pictures. them face down in a puddle after a night out? yep it's there. pictures of them at a scenic dog park? also there
people began following them for the stark contrast that showed in every post they made, but when they posted something with no quote and it was a soft launch? their fans had immediately blown up the comments.
volleyballfreak: A SOFT LAUNCH? with who? omg.
and they had replied to almost every comment asking just who you were with...
' my lover <3 '
oh he was down bad.
°❀⋆.ೃ࿔*:・ YAMAGUCHI TADASHI, aone takanobu, SUGAWARA KOSHI, osamu miya, NISHINOYA YUU, kita shinsuke, TANAKA RYUNOSUKE
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so so so sooo many followers (that came with being a professional volleyball player you supposed) many people who didn't even enjoy volleyball followed them because of the silly stuff they posted.
their fans watched their stories where they would post memes and such, something that many pros didn't do on the daily...because they had a reputation to upkeep. to be fair, all of their followers never knew them to be the brightest, so nothing they posted caused up a stir.
until they posted photos they took with, what was supposed to be, some mystery person with the caption ' a soft launch on MY minecraft server ? '
and it would have been an AMAZING soft launch...if they didn't tag your PERSONAL ACCOUNT on every. single. picture.
you weren't a pro volleyball player, you weren't an actor, you weren't even a manager, nope! you were just some normal person who lives an everyday normal life.
they had the spirit, just not the execution, but that's why their fans (and you) loved them <3
°❀⋆.ೃ࿔*:・BOKUTO KOTARO, atsumu miya, HINATA SHOYO, KANJI KOGANEGAWA
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didn't get a chance to soft launch you before the paparazzi put out the tabloids of the both of you. the titles always saying something like "STAR VOLLEYBALL PLAYER WITH MYSTERY LOVER??"
the article was posted ten times over on every single social media platform there was, with many people with many different reactions replying to it
MSBYmomma: ur joking. he's literally mine
goofgoob: thank god one person on this team is in a loyal relationship.
the two of you hadn't even gotten the chance to open your own social medias before hundreds of texts invaded both of your phones. only from the people who knew of your relationship and were worried about the both of you.
so what did they do? reposted the photo on their story with two simple emojis...
"👍❤️"
°❀⋆.ೃ࿔*:・ USHIJIMA WAKATOSHI, kageyama tobio, OIKAWA TORU, sakusa kiyoomi
✿.。. “ twenty questions, we tell the truth. ” .。.✿
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i love soft launches and haikyuu <3
likes, comments, and reblogs are appreciated!
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metanarrates · 1 month ago
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Hello. Sorry if this a stupid question u can ignore if u want.
How can someone get better at media analysis? Besides obviously reading a lot.
Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?
I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!
it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of
first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.
which is a big concept to just describe off the bat, so let me break it down further!
in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.
personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.
other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)
another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!
that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.
^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.
so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!
now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?
and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.
as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?
sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol
but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.
uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes
find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.
also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.
above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!
thank you for the ask, and I hope you find this helpful!
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motorsportbarbie13 · 8 days ago
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Aftermath - Chapter 5
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Aftermath - MV33 - Chapter 1 Aftermath - Chapter 2 Aftermath - Chapter 3 Aftermath - Chapter 4 Master List
When Lando leaves you heartbroken after you get tired of trying to make something out of nothing for far too long, Max steps in to help you pick up the pieces.
warnings: this chapter contains language and descriptions that illustrate abuse (mental and emotional). please don't engage with my work if you find any of the topics triggering. lando is, once again, an absolute asshole in this. i'd also like to point out that this is a character i am writing, i in no way am insinuating or implying the real lando is like this in any way.
pairing: max verstappen x leclercsister!reader
word count: 4k or something like that?
(Everyone say ‘thank you’ to @lestapiastrisgirl for beta reading and helping me through late night plot crisis so this can come out today!!)
f1.gossip.source posted
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f1.gossip.source It's been months since @/Lando and @/MissLeClerc have been spotted togtether and we're starting to wonder...are they even together anymore?! Lando was spotted out alone in Monaco, looking annoyed at fans calling his name while his (ex???) girlfriend was papped out and about with none other than...Max Verstappen. Again. Rumors about the LeClerc sister and Dutch driver started to swirl right around the time her and Lando stopped being seen out in public...What do we think, chat??? Has little miss leclerc finally ditched the cocky British pilot for a new Dutch beau??? user029 maybe she got tired of having to parent her boyfriend??? user220 if it's true, she's really upgraded. 4 time world champion vs...what??? 4 time race winner. please. user0298 he never supported her art or anything, i'm not surprised she's moved on. max always looks smitten with her.
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“Lando, you have got to get this under control.” The head of McLaren’s communications team hisses, her glare shooting daggers at the driver who’s just walked into the the hospitality building ahead of the race in Belgium. 
Lando glances up from his phone, face pale and eyes worried. “How the fuck am I supposed to control what the gossip pages post?” 
Marina throws her hands up in the air as she paces, her McLaren team kit wrinkled from lack of sleep thanks to the British driver. In the four weeks since your argument with Lando after Austria, things have only gotten worse. You’re still not talking to him and he still hasn’t figured out where the hell you’re living. You’re not staying with Charles and Alexandra or Jade, he’s been subtly watching both buildings. He knows you’re still in Monaco because you’ve been papped out with your family and friends but most maddeningly Max Verstappen. 
Everyone seems to have noticed you’re not living with Lando anymore, your appearances in his streams have dwindled down to nothing. Fewtrell has had to start banning people form his chat because they won’t stop asking about you and what’s going on. Everyone knows that something went down but you’re straight up refusing to behave like an adult and come back to Lando, where you belong and it’s infuriating. 
“You can’t, obviously.” Marina sighs, sitting down at one of the high top tables in the middle of the suite. 
Around her, the Thursday afternoon crew of engineers and communications people buzz, all prepping for their weekends. Everyone seems to be acting normal but Lando can feel their glares on his back as he walks through the building. They all know he’s causing the entire team grief by causing so much drama with you, taking the attention away from the decent start to the year they’d had before all hell had broken loose a few months ago. 
“But,” She continues, leveling a glare at Lando. “You either need to bite the bullet and release a joint statement with her announcing your breakup or you need to get her to the track this weekend and make a big show of a united front. It’s up to you Lando, but you need to do something. I can’t keep saying ‘no comment’ whenever we’re asked about the distraction this is causing the team.” 
Lando pulls at his curls, like hell he’s going to admit that you’d left him. He supposed he could go rogue and release a statement without you. That way he could control the narrative and try to get the fans back on his side if he made something up like a cheating scandal or something. The moment that the thought flutters through his mind, he forces it out. For some fucking reason, the fans seem to have a soft spot for you and it’s maddening. Lando knew there was no way he could get public opinion on his side, not with how he was getting ripped apart on socials right now. 
“We’re not broken up.” He bites out, taking a sip out of his water bottle as he contemplates what he can do. 
Marina glances up from her phone, brow lifted in question. “That’s not what it looks like here.” She turns her phone towards Lando and shows him a photo of you descending the stairs of a private jet that’s just landed in Belgium. In front of you, already down the stairs and waiting on the tarmac for you is your brother with Leo cradled in his arms. 
And behind you? A fiery rage burns bright and hot in Lando’s chest when he sees who’s behind you. 
Fucking Max Verstappen. 
The look you’re giving him makes his heart twist and for the first time since this entire thing began, Lando actually misses you. He misses the way you used to smile up at him like that, like your entire world revolved Lando and no one else. He missed the way your eyes would follow him around a room, how your body would center towards his. The way you looked at Max was how you used to look at him and it made jealousy twist violently deep in Lando’s gut just looking at the photo. 
“I’ll take care of it.” Lando spits before stalking off to the privacy of his drivers room. 
f1.gossip.source posted
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f1.gossip.source Alexandra, Charles, and his little sister were seen arriving in Belgium this afternoon on Max Verstappen's private jet. It's yet another instance where the LeClerc sister was spotted without boyfriend Lando Norris, sparking new breakup rumors. Neither party has confirmed if they're still together, with McLaren PR insisting that the personal lives of their drivers are off limits. user019 honestly, I'm here for a LeClerc sister & Max relationship. >>>user028 me too. at least Max seems to actually like her, unlike Lando user0029 I mean, we all can see it. Why can't they just confirm it already??? user2333 fully on board the 'get her away from Lando train' ROOTING FOR YOU MAX!!! Get your girl!!! user029 my friend was out at the restaurant they were all at a few weeks ago and said that Lando crashed the dinner but left after a few minutes looking PISSED. >>>user029 honestly, Lando is kind of unhinged rn. get over her my man, move onnnnnnn!
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“I can’t believe you got me to agree to come this weekend.” You grumble as you follow Max towards the paddock gates Friday morning before practice. 
“You’ve barely been to any races this year and it’s almost the end of July!” Max shoots over his shoulder, grinning like an idiot he’s so happy you decided to come this weekend. 
“I was at Monaco!” You protest lamely, shoving your elbow into your brother’s ribs when he laughs. 
“You live in Monaco, that doesn’t count Little Dove.” Charles chuckles, rubbing at the sore spot where you’d just assaulted him. 
“Whatever.” You mutter, rolling your eyes. 
After arriving in Belgium last night, you had gone straight to your hotel room, needing a bit of alone time ahead of what you were sure was going to be a stressful weekend. As usual, you’d been papped arriving on Max’s jet, which you were certain Lando had seen because the moment you had checked your messages in the SUV Max had rented for your little group, there had been a text waiting for you from him. 
I know you probably don’t want to see me and I get that. I’m sorry, from the bottom of my heart. Can we please get together this weekend and talk? Somewhere neutral if that’s what you want…
As you settled into the hotel room that was yours for the weekend, a war was being fought in your brain. On one hand, you didn’t trust a single thing coming from Lando’s mouth. Not a single thing. He hadn’t given you any reason to trust anything that he said for months, so why should you start now? But on the other hand…
On the other hand, you and Lando had so much history. His message seemed remorseful. You knew everyone in your life would kill you if you even entertained the idea of getting back with him but somewhere deep in your chest a little voice was saying maybe you should hear him out. He was finally leaving you alone, finally backing off, why did he have to pop up right when you thought you had finally gotten him fully out of your system?
You didn’t tell anyone Lando had texted you. Had been texting you all morning as well. You knew no one would understand. But you also hadn’t returned a single text either. The energy that responding to Lando would take was something that you just didn’t have today. 
Your little group is captured by photographers as you walk in, a few even call out your name asking where you’ll be spending your time this weekend. Since dating Lando, you liked to split your time between the McLaren garage and Ferrari but this weekend was going to be different. Your VIP pass had Charles’ face and name on the back, not Lando’s. You had credentials from Ferrari like normal but this morning, Max had also slipped a Red Bull card around your neck, telling you if you got sick of looking at all that red this weekend, you could spend time with him. 
“Are you going to come to the dark side this weekend and use those Red Bull credentials to whip up some gossip?” Max murmurs in your ear, watching as Charles trots off ahead of you after Leo. 
You bump your shoulder with his, rolling your eyes and laughing lightly. “Stop.”
Mischief plays in Max’s pale blue eyes as he smiles down at you, enjoying the way your cheeks flush under his attention. Ever since the race in Austria a few weeks ago, you and the Dutch driver had been spending a lot of time together, all casual but he’d really begun to look forward to the nights you spent curled up on his couch eating takeout and watching bad reality tv with him. 
Before he has a chance to reply though, he sees the color drain from your face as you freeze in the middle of the sidewalk. Whipping his head around, Max searches for what, or more accurately, who has spooked you. He already knows who he’s looking for so when his eyes settle on the McLaren driver standing just outside the sliding glass doors of the McLaren hospitality building across the paddock, his stomach lurches. 
You had known you’d see Lando this weekend. How could you not? This was literally his workplace too. There was no way to avoid him, you knew that but you hadn’t expected to see him so quickly and before you had managed to work out how to respond to his text from the night before. 
Your brother is between where you stand and McLaren’s hospitality so he clocks Lando staring after you at about the same time as you and Max. Turning on his heel, he scoops up Leo and makes a bee line back to where you stand, utterly frozen. 
“Dovie.” Max coos in your ear, twining his fingers with yours in an attempt to pull you out of the state you’re in. “Hey, sweet girl, look at me.” 
You ignore him, gaze locked on Lando’s frozen frame. 
Charles steps in between you and Lando, instantly cutting off your line of sight. This seems to yank you back to reality and your brother snaps into action. “Shit. I’ve got a meeting in five minutes. I don’t want her alone.” Your brother sounds panicked, like the way you’re just staring blankly ahead is really freaking him out. 
So, he improvises. “Here, take Leo and go take a walk. There’s tons of open space on the other side of the paddock.” Charles presses the small dog into your hands and you drop your gaze away from Lando for the first time in several moments. 
Your gaze drops to where your hand is still clutched in Max’s larger one. The steady warmth from his presence grounds you, allowing you to pull in a full breath for the first time in several minutes. 
“No, she’s not going off on her own.” Max cuts in, tone sharp. “I’ve got some time before I need to be in the car. Come stay in Red Bull with me until practice, then you can watch from my garage, okay?” 
The force of his words leave little wiggle room for argument and Charles can’t help but smirk a little. He should have known Max would step right up to make sure you were taken care of. 
“Yeah.” You agree weakly, finally tearing your gaze away from Lando, who is still starting at you, light eyes sharp and observant. You can feel the way his gaze drops to where Max’s hand is curled around yours possessively. “Yeah, that sounds good.” 
Without waiting for Lando to get any more ideas like wanting to try to come talk to you, Max tugs on your hand. He knows you well enough by now to know that you need a distraction and you need it fast. “Come on, you said you wanted to stir up some gossip this weekend, well here’s your chance.” 
You laugh despite yourself, nuzzling your face into Leo’s soft fur. “I’m keeping the dog.” You tell your brother as you allow yourself to be led away by Max. All Charles does is nod, relieved to know that you’re in good hands while he’s busy. 
missleclerc posted
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24,029 likes liked by maxverstappen1, charlesleclerc, redbullracing, and others missleclerc in my defense, I was kidnapped ☝🏻 maxverstappen1 whatever, you wanted to be there. >>>missleclerc lies. It was a hostage situation. >>>maxverstappen1 is that what the kids are calling it these days? >>>user299 chat, are they flirting in the comments??? WE CAN SEE YOU TWO charlesleclerc can't believe you subjected your nephew to this. please make sure you take a shower before dinner tonight. >>>missleclerc rude. user0209 ya know, I'm kinda here for this ship. >>>user987 did you see how utterly distracted Max was during the one interview where she walked past him? couldn't take his eyes off her >>>user0209 lando's gonna be crashing out after seeing that interview tonight >>>user3443 GOOD. bro deserves it
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“I think you may need to roll me up to my room after that dinner.” You groan, rubbing at the food baby making your black leather skirt pinch painfully at your hips. 
After qualifying Saturday evening, when the boys were all finished with their media and team duties, Max had insisted that you, your brother, Alexandra and himself all go out to dinner. He’d wanted to insist it just be the two of you but he wasn’t blind to the gossip you two had stirred up in the paddock Friday afternoon so he’d figured bringing your brother and his girlfriend along would be a bit safer. 
“I think I ate my weight in spaghetti.” Alexandra groans beside you as you plod towards the front doors of the hotel. “Carry me up to the room please, Cha?” She coos, throwing her arms around your brother’s neck as if she can’t go on one step more.
 Charles laughs, snaking his arms around her waist and pulls her close, dropping a kiss on her forehead, a gesture so tender and intimate you have to turn away. Your gaze immediately connects with Max who is standing a few paces behind your brother and his girlfriend. A small smile tips up at the corner of his full lips when you make eye contact at him and your stomach swoops at the affection for you in his eyes. 
You’re imagining things, you think instantaneously. There’s no way Max sees you as anything other than a friend, after everything that you’ve endured while he’s watched. How could anyone like Max be attracted to someone who had spent an entire year drowning in a failing relationship? It was likely a pity smile, something he gives you because he feels sorry that you haven’t found what your brother has found in Alexandra. 
“There you are…” A smooth British accent interrupts your thoughts, jarring you out of your spiral. “You stopped answering my texts.” Lando says pointedly as he joins your little group in the lobby of the hotel. 
Your eyes shutter closed as you blow out a breath. You had been hoping to avoid this confrontation all together but it was just another nail in the coffin of why Max wouldn’t even want to begin to get involved with you in the first place. Why would he willingly want to be with someone who was still so intertwined with her ex still? You’ve spent so long with Lando, were so intertwined with him it would certainly be easier to just go back to him, wouldn’t it? Maybe he was all you deserved after wasting three years of your life. 
“I was at dinner, Lando. It’s rude to text during a meal.” You carefully control the tone of your voice, not wanting to instigate yet another public altercation with him. 
“Ah, yes. I’m sure the company was riveting.” His eyes flicker over to where Max stands, stiff and unmoving, the smile that he’d just been showering you with totally gone from his face. “So, what do you say, can we finally talk like two adults?” 
“She doesn’t want to talk to you, Norris.” Charles cuts in, voice sharp and short. 
“I think your sister can answer for herself, LeClerc.” There’s a challenge in Lando’s eyes that you don’t miss and you know you have about five seconds to diffuse the situation before it gets out of hand. Again. 
Placing your hand on Lando’s elbow, you tug him away. “If you promise to chill out and actually listen to me, we can go to the bar and get a drink. One drink, Lando. Can you do that?” 
If you had been looking at Max then, you would have seen the light flicker out of his eyes. He’s grateful that his hands are tucked away in his pockets when he hears your words because the way the ball up into tight fists would be embarrassing had anyone seen it. He wants to say something, anything, that might convince you to not walk away with him. He wants to tell you how he’s feeling, how this afternoon with you in his drivers room and then garage was the best start to a race weekend he’d had in recent memory. He wants to beg you not to go with Lando. 
But he can’t. He can’t because he still hasn’t worked up the courage to tell you how he feels. Max is stuck in this painful sort of limbo where you two spend time together and he craves any bit of attention he can glean from you but it’s not enough for him to risk your fragile state of being right now. He knows you’re still recovering from leaving Lando. Three years is a long time to spend with someone, even if the last year was as painful as Lando had made it for you. He knows you’re not ready for him to tell you how he’s feeling but he’s afraid if he doesn’t, you’ll go running back to Lando. 
While the internal debate about what to do with his feelings rages on inside, Max watches as a cat-like grin spreads slowly across Lando’s face. He’s won. Lando’s won and they both know it. 
“Of course, baby.” 
You bristle at the name but without the energy to fight him, all you do is roll your eyes. Max’s mask of indifference somehow staying in place when he hears the nickname, but it tears him up on the inside. He’s not sure how he manages it. 
“I’ll see you guys tomorrow. Thanks for dinner, Max.” Taking a step towards Max, you fold yourself into him, enjoying the way his arms come around your waist without hesitation. The hug is firm and he holds onto you for several moments longer than necessary. 
 “I can stay down here if you want me to.” He murmurs in your ear, his breath tickling the shell of your ear, sending a cool shiver of pleasure down your spine. 
“I’m a big girl, I can handle him.” 
“It’s not you I’m worried about.” He responds, looking down at you. You’re surprised to see a stark look of concern all over his face, like he’s genuinely worried about you. 
“Max, I’m fine. It’s just one drink.” 
But Max knows Lando. It’s not just going to be one drink. But what other choice does he have? Reluctantly, he releases you and takes a step back, forcing himself out of arms length. You instantly miss the grounding warmth of his body and fight to keep your expression neutral. 
Max watches you walk away, shoulder brushing with Lando’s and has to resist the urge to rub at the painful clenching sensation that wraps itself around his heart. 
“You don’t have to watch her leave.” Charles murmurs, standing off to the side with a worried looking Alexandra. They both share Max’s opinion that this is a bad idea but like Max, what else can they say?
Max scrubs at his face, suddenly so overwhelmingly exhausted that all he wants to do is climb into bed and sleep until the race tomorrow. “What am I supposed to do, Charles?” He throws his hands up in defeat as you disappear around the corner just as Lando’s arm slips around your waist. “I don’t have a single claim on her, she’s not mine to miss.” 
His stomach twists painfully at the thought of having to go back to his hotel room knowing you’re touching him. 
“She won’t go back to him.” Charles says with more confidence than Max can muster up himself. “She’s been doing so well lately and we all see it’s partially because of you, mate.”
“Don’t give up on her, Max. Not yet.” Alexandra offers quietly, stepping closer to Charles before reaching out and placing a hand on Max’s shoulder. “She’s stronger than we all think but she’s going to need your patience right now. It’ll be okay.” 
The way it physically hurt watching you walk away had alarm bells ringing in Max’s head. He hadn’t realized just how attached to you he’d become in the time since you’d left Lando and it terrified him. If you went back to Lando tonight, he had this gut feeling he’d lose you forever and he wasn’t sure he’d be able to endure that. 
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Max barely sleeps that night, tossing and turning for hours trying to convince himself he hadn’t just watched you walk right out of his life again. He knew he was, once again, getting ahead of himself and that he needed to wait before going into full spiral mode but he couldn’t quite get himself there. 
By the time he’s downstairs in the hotel lobby the next morning, waiting for the car that Red Bull had hired for him, he’s exhausted and on the brink of biting someone’s head off. 
“You doing okay over there, Verstappen? You seem a little…irritated.” 
Max turns and has to stifle a groan. “Why can’t you just leave well enough alone, Lando?” 
Lando has the nerve to look confused, brows furrowing as he tilts his head to the side. “I have no idea what you’re on about, mate.” 
It takes every ounce of control Max has honed over the years not to punch the British driver square in the face. “Why are you so fixated on her now that she’s finally trying to get away from you?” 
Lando smirks, quick and ugly, before he shakes his head. “See, now that’s where you’re wrong Max.” He reaches over and pats at Max’s shoulder patronizingly. “I don’t think she really wants to get away form me anymore. Not after last night.” 
It feels like the breath has been sucked out of Max’s lungs at Lando’s words. “What the fuck are you talking about?” He hisses, heat creeping up his neck. 
“You’re a smart man, Max. Use that big brain of yours. I think you know exactly what I’m talking about.” Lando grins like the Cheshire Cat as he shrugs. “Oh look, my ride’s here. Good luck out there today, Verstappen.” 
Without waiting for a response because he knows full well he’s caught Max completely off guard, Lando saunters off, hands deep in his pockets, without a second look back at the Dutch driver. 
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dunmeshistash · 5 months ago
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G'day, I hope you are doing well.
Ever since I finished the story of Dungeon Meshi (all supplementary material included) I've been writing down bullet points on characters in addition to in-depth synopses as a way to tidy up my rather busy mind. To this end I've also greatly enjoyed reading other folks' interpretations of particular characters, as it gives me further insight into aspects of that character I may have glossed over.
However, there's one character I'm struggling to write a cohesive synopsis about, that being none other than 'miss enigma' herself, Falin Touden. I get that her whole shtick is that she's kind of a mystery, but I find myself drawing a lot of blanks when it comes to her as a character, and while I have nailed down some important bullet points, there are a lot of different interpretations on her, all of which starkly contrast one another. Though perhaps it's just the wording. Hard to say.
It could very well be that I'm being too dense i.e. perceiving "Falin is willing to risk killing others to save her friends." and "Falin, in the heat of the moment, when faced with certain death, was willing to face the prospect of harming potential passersby in a final Hail Mary to get her friends to safety." as entirely different observations. I have a hard time with those kinds of things.
With this being a hub for all sorts of observations, interpretations and cool trivia, I was wondering if you'd perhaps be willing to share how you yourself perceive Falin as a character, so I can compare notes and perhaps gain a more proper understanding of her as a character as a result. I know this question is very broad and kind of vague, but if you could spare the time I'd be most grateful.
Other than that, I wish you an excellent day.
Hello!!! I love Falin!!!!!
She *is* a mystery, we mostly know Falin through the perception other characters have of her instead of a direct deep look onto who she is, which I find very interesting. I think the best post I've seen about her (which as usual I can't remember where edit: someone linked it thank uu) I think called her perceived altruism/love "selfish" and I've been thinking about that ever since.
In that sense the way she cares so much about the comfort of people around her might be a way to keep *her own* comfort because she doesn't want to see other people suffer.
This girly died and came back to life from bones and the first thoughts she has is that she caused trouble for her loved ones
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She probably has felt this way since she was a child, "because of her" that her family was torn apart "because of her" that Laios left, her mom was sick, her father had to send her away. (wasn't actually her fault but she might think it is)
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I imagine ever since then Falin has done her best to not cause trouble and to make the people she loves happy, everything we know about her and the things she was doing was always for the people she loved, that's why I enjoy the post canon comic where Toshiro asks her hand in marriage again so much. The first time she considers accepting just because "might as well" while for the second time she finally wants to live for herself.
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I think Falin herself has lost who she "really is" by trying to accommodate everyone around her and that's probably part of why we ourselves don't really know her, so much so that the most cynical character is uncomfortable around her (probably cause he notices Falin is "hiding" something)
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I think Falin is quite the melancholic character to be honest, someone who has lost herself in self sacrifice and who is only now learning how to live for herself doing what she wants.
Both the teleportation scene and the bit about healing show "cracks" in the selfless front she puts out tbh. By context I don't think what she did was only due to "desperation of the moment" she says out loud "Even if I end up hurting others I want you and my brother to live on". She weighted out how much suffering she might cause and decided she wanted to save them anyway, and I'm sure in that calculation she knew that they would suffer because of her sacrifice too.
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Falin is saving them for herself, I'm not great with words so this is all over the place and maybe sounds a little negative about Falin but the thing is, you cannot live your life for other people, you can't sacrifice yourself for other people's happiness, you shouldn't erase your own presence so others are happier and I think Falin is starting to learn that by the end.
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I'd probably keep rambling without getting anywhere and missing a lot of more meaningful moments but I'll stop here, if anyone has recs for Falin analysis please share!
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